Category Archives: Art

Rozsa gallery b Presents “Come In We’re Open” and Alvizures Residency

GLS-2015-Reception2The Rozsa Center and Department of Visual and Performing Arts (VPA) presents the Rozsa gallery b show “Come In We’re Open,” an open-house exhibition of student sculptors’ work in progress, as a part of the Project Learning Lab alternative classroom project.

The show opened Monday and runs until Saturday (March 10). There will be a public reception at 5-6:30 p.m. tomorrow (March 8), is free and open to the public. Gallery hours are 8 a.m. to 8 p.m. Monday – Friday and  1 to 8 p.m. Saturday.

Also ongoing is the Rozsa Gallery A-Space exhibition “Always Room for Rain,” presenting the work of artists Raquel Alvizures and Ross Chaney. The public is welcome to experience the progress of visiting artist-in-residence Alvizures, who is painting a mural for the Rozsa Center during the week in the Rozsa North Mezzanine.

Visiting hours to see Alvizures at work are 1-6 p.m. today and tomorrow (March 7/8), and 1-4 p.m. Friday (March 9).

For more information, contact Lisa Gordillo (7-3096).

“Always Room For Rain” Exhibit Opens Friday

painting by artists Raquel Alvizures (Guatemala) and Ross Chaney depicting an apron over a chair at a tableThe Rozsa Center Gallery presents the exhibit “Always Room for Rain,” opening Friday (Feb. 16) and running through Mar. 30.

This exhibit features paintings by artists Raquel Alvizures (Guatemala) and Ross Chaney (Cherokee and Osage Nations / New Mexico). Both artists combine colors and textures to develop paintings that express their ties to their cultures and to the stories that shaped them.

The artists will be on campus for lectures and community events, supported in part by a grant from the Michigan Tech Visiting Women and Minority Lecture Series. The exhibit is curated by Lisa Gordillo.

There will be an opening reception from 5 to 6:30 p.m. Friday, March 2. The reception will feature a conversation with the artists at 5:30 p.m.

This lecture is partially sponsored/funded by the Visiting Women & Minority Lecturer/Scholar Series (VWMLSS) which is funded by a grant to the Office of Institutional Equity and Inclusion from the State of Michigan’s King-Chavez-Parks Initiative.

Gallery hours are 8 a.m. to 8 p.m. Monday – Friday, 1 p.m. to 8 p.m. Saturday.

Work of Katie Hargrave in Rozsa Gallery

Screen Shot 2017-09-21 at 5.22.55 PMWho owns the wind? The leaves on the trees? When a paper company cuts down a 75-year-old tree, or a landowner clears brush for a better view of the lake, how is an entire ecosystem affected? What ethical, cultural and social questions are raised?

Artist Katie Hargrave, a professor of art at the University of Tennessee, Chattanooga, explores these questions in her exhibition, “It’s nothing personal (space).

The exhibition opens at the Rozsa Center’s gallery A-Space, on Friday, Sept. 22. “It’s nothing personal (space)” is an exploration of the competing ideas of ownership and stewardship as they relate to public and private land, trees and deserts, and individual and corporate voices.

Inspired by a road trip to the Malheur Wildlife Refuge, the site of militia protests during the winter of 2016, the exhibition includes fiber, audio, video and drawings.

A reception which features a discussion of her work by the artist will be held from 5 to 6:30 p.m. Saturday, Sept. 22. The reception and exhibit are free and open to the public. The show will remain open through Nov. 11. Gallery hours are 8 a.m. to 8 p.m. Monday through Friday and 1 to 8 p.m. Saturdays.

Rozsa Calendars for 2017-18 Season Now Available

20170911_122723Rozsa Center calendars for the 2017-2018 season are now available — both full-size wall calendars and the handy pocket/desk calendars!

Featured this year are 12 Rozsa Presenting Series events, more than 33 Visual and Performing Arts events including music, theater and visual arts and the ever-popular 41 North Film festival.

Season Ticket Packages are on sale now, with the best discounts available on all the season has to offer! There are four Season Ticket Package options this year, offering savings of 18 to 37 percent off single-ticket prices.

Single-ticket sales begin Sept. 1. For more information or to purchase tickets, contact Michigan Tech Ticketing Services at the Central Ticket Office (SDC), at 7-2073, or visit our website.

You can pick up one of each or both at the Rozsa Center or at any of the more than 120 local Houghton and Hancock businesses who display and distribute them each year.

For Michigan Tech faculty and staff, we would like to make it easy for you to get your copies of the calendars. If you would like a calendar delivered directly to your campus mailbox, please click on this link and fill out the google form. We will gladly send a calendar to you in inter-campus mail.

Corn Husks in the Rio San Juan

Recent Michigan Tech Grad Joins Visual Art Faculty as Artist in Residence in Guatemala

Gordillo and Fisher installing a sculpture in the Rio San Juan (San Juan River).
Gordillo and Fisher installing a sculpture in the Rio San Juan (San Juan River).
Rio San Juan Dia 2
Gordillo and Fisher preparing to install sculpture in the Rio San Juan.

Lisa Gordillo, assistant professor of Visual and Performing Arts at Michigan Tech, traveled to  Quetzaltenango, Guatemala for her recent exhibition at the Centro Cultural Efrain Recinos from July 15-Aug. 1, and also worked on an installation for Tierra Adentro, the International Poetry Festival of Aguacatan, where she created a sculpture in the Rio San Juan (San Juan River). Hannah Fisher, ‘17, who graduated with a minor in Visual Art, joined Gordillo to help with the river sculpture (which involved sewing corn husks together in the water!), and to join the Aguacatan Poetry Festival also as an artist in residence. The river sculpture, called Chuchos del Rio, was created to be part of a conversation about immigration, as part of the poetry festival.

The exhibit in Quetzaltenango, titled “Prohibido Orinar Aqui,” was developed from Gordillo’s spring exhibit, “ChickenBus,” in the Rozsa Gallery, and as Gordillo reports, was very well attended and received. She thanks all of the Michigan Tech students who both helped with the development of the work in the spring, related to Chicken Bus, and the outcome of that work which traveled with her as a part of the “Prohibido Orinar Aqui” exhibit.

Fisher was interviewed about her sculpture work, which appeared in the Equal and Opposite Show, in the Rozsa Gallery “gallery b” in 2016, and talks about her other art projects. She says “I was really influenced by Andy Goldsworthy. I really appreciated how he uses materials found in nature and manipulates them in ways not seen in nature. Nature is a big influence in my life.”  Listen to the interview on SoundCloud. It is 06:28 minutes in length.

According to Gordillo, “[Hannah and I] laughed a lot (and caused a lot of laughter) making our installation in the river. That work included filling our hotel showers with corn husks, then transporting them all to the river, then transporting them back, and finally (!) sitting in the river to sew them all together, with lots of onlookers asking an even larger batch of questions.”

Gordillo was also sculptor-in-residence at Tierra Adentro, the International Poetry Festival of Aguacatan, Guatemala. This year’s festival was dedicated to immigrants and displaced people. Gordillo and Fisher also created a migrating book as part of the festival.

Welcome to the 2017-18 Rozsa Arts Season!



Immerse yourself in the arts at Michigan Tech
Season Tickets on Sale August 1
Single Tickets on Sale September 1

What happens when you combine Chinese martial arts, dance and acrobats in “China Gold,” a dark and physical interpretation by PUSH Physical Theatre of the gothic tale “Dracula,” world-class modern dance “Ailey II,” and an award winning all-new play from LA Theatre Works about the last 24 hours of Martin Luther King Jr.’s life, “The Mountaintop”? You get the Rozsa Visual and Performing Arts 2017/18 Season!

Welcome to the Rozsa Center for the Performing Arts, the home of Visual and Performing Arts at Michigan Tech. The Rozsa Visual and Performing Arts 2017/18 Season is nearly here. Season Ticket Packages go on sale August 1, with the best discounts available on all the season has to offer!

Season tickets are available for a limited time only, so find out more today!

There are five Season Ticket Package options this year, offering savings of 20% – 40% off single ticket prices: A Full Season Ticket Package, a pass to all the arts at Michigan Tech! Enjoy the biggest discount available off the single ticket price on all Rozsa and VPA events. The popular “Pick 6” Season Ticket Package has returned, and is an even better value this year. New this year, we have both “Pick 3” option for people who want to get their discount now and pick their shows later, and have brought back the very popular new “Family Pack” option that will help you bring the whole family to a big show at an affordable price. We hope there is a package that works for you! Thank you to all of our long-time Season Ticket holders, we’re holding your seats.  For new Season Ticket buyers, welcome, we look forward to seeing you this season.

Not interested in a Season Ticket Package? Single ticket sales begin September 1, 2017. For more information or to purchase tickets, contact Michigan Tech Ticketing Services at the Central Ticket Office (SDC), at 906-487-2073, or visit our new webste

See the exciting variety of events produced and presented by the Rozsa Center and Department of Visual and Performing Arts.

Gordillo Presents Exhibit “Prohibido Orinar Aqui” in Quetzaltenango, Guatemala

Lisa Gordillo, Assistant Professor, Visual and Performing Arts, presents a new collection of sculpture and installation at the Centro Cultural Efrain Recinos in Quetzaltenango, Guatemala, July 15-Aug. 1. The exhibit, titled “Prohibido Orinar Aqui,” was developed from Gordillo’s spring exhibit, “ChickenBus,” in the Rozsa Gallery. The works of art in the exhibit are inspired by US-Guatemalan relations.

Gordillo is also sculptor-in-residence at Tierra Adentro, the International Poetry Festival of Aguacatan, Guatemala. This year’s festival is dedicated to immigrants and displaced people. Gordillo will create an art installation, titled “Caminante” (Someone Walking) along the Aguacatan river and a migrating book as part of the festival.

Antigua - Guatemala - January 24, 2013: Traditional Guatemalan local "Chicken Bus" station in Antigua, Guatemala. It is located behind the busy street market in Antigua.
Antigua – Guatemala – January 24, 2013: Traditional Guatemalan local “Chicken Bus” station in Antigua, Guatemala. It is located behind the busy street market in Antigua.

Rozsa’s Jennings Earns National Honor

Mary bw 6.1Jennings Earns National Honor for Strengthening the Rozsa Center’s Community Ties

Mary Jennings, Director of Programming and Development at Michigan Tech’s Rozsa Center for the Performing Arts, has earned a place among 25 national arts professionals chosen to participate in the third cohort of the Association of Performing Arts Professionals (APAP) Leadership Fellows Program.

This program invites arts professionals who show outstanding commitment to building collaborative processes in the performing arts to participate in a 20-month intensive Arts Leadership mentoring and training program. “The Leadership Fellows Program examines core questions around content and scope of leadership development for the performing arts field. It highlights, supports and helps participants understand and define the many reaches of leadership and its capabilities through peer-to-peer mentoring and creating a community of support,” says Mario Garcia Durham, president and CEO of APAP. In addition to a curriculum-based, five-day intensive at the University of Southern California (USC), the program focuses on the opportunity for participants to learn from and mentor each other over the course of the 20-month arc through annual gatherings at the APAP|NYC conference in New York City and continuous engagement in an online resource and discussion platform.

According to Jennings,

“To be a accepted into their national Leadership Fellows Program is a great honor and privilege. The Rozsa Center has long been an APAP member, and former Rozsa Directors have regularly attended their annual conference to find exceptional touring artists to bring to the Keweenaw as part of the Rozsa Presenting Series. The relationships and opportunities cultivated through our involvement with APAP have been invaluable to the efforts of the Rozsa Center to bring enriching, entertaining, and elite level performances to our Upper Peninsula audiences.”

This honor is no surprise to those working with Jennings at the Rozsa Center. While serving as interim Rozsa Director in 2014, then named Director of Programming and Development in 2015, Jennings created more than a dozen successful collaborative engagement activities. From backstage tours and master classes with local dance schools and the Russian National Ballet, to coordinating a Q&A for local media, Michigan Tech communications students and professionals with a senior editor of The Atlantic, to interactive displays in the Rozsa Lobby involving copper country youth robotics teams and Mind Trekkers during the Cirque Mechanics show in the finale of the 2017 Presenting Series season, she has invited many organizations and individuals to find common ground, across diverse fields, to make arts more integral to our community.

APAP Leadership Fellows Program

Building upon the program’s inaugural launch in 2015, the APAP Leadership Fellows Program’s goal is to expand the knowledge and proficiency among professionals in the performing arts field. Kenneth Foster, director of USC’s Arts Leadership Program, and Scott Stoner, APAP’s vice president of programs and resources, are co-directors of the Leadership Fellows Program. A core group of industry professionals will also lead the cohort and guide them through the program including: Dan Froot, producer/performance artist; Stephanie McKee, executive artistic director for Junebug Productions Inc.; Andre Perry, executive director of the Englert Theatre; Beatrice Thomas, multidisciplinary artist, artist coach and consultant; Cathy Zimmerman, creative consultant.

Cohort III (June 2017-January 2019)

  • Linsey Bostwick, senior producer, The Arts Center at NYU Abu Dhabi – New York, NY
  • Andre Bouchard, principal, Walrus Arts Management and Consulting, LLC – Vancouver, WA
  • Ben Cohen, senior agent, Cadenza Artists, Los Angeles, CA
  • Brett Elliott, executive director, Katharine Hepburn Cultural Arts Center – Old Saybrook, CT
  • Liza Green, associate director, NC State LIVE – Raleigh, NC
  • Leslie Hanlon, director of fundraising and marketing, Fine Arts Series at the College of Saint Benedict/Saint John’s University – St. Joseph, MN
  • Mary Jennings, director of programming and development, Rozsa Center for the Performing Arts – Houghton, MI
  • Chanon Judson, associate artistic director and BOLD coordinator, Urban Bush Women Inc. – Brooklyn, NY
  • Joshua Kane, artist and founder, Wild Baboo Productions LLC – New York, NY
  • Leah Keith, manager of artists and attractions and booking agent, Opus 3 Artists – New York, NY
  • Damia Khanboubi, program associate, Junebug Productions – New Orleans, LA
  • Michael Liu, director of Chinese Community Initiatives, Flushing Town Hall – Flushing, NY
  • Sam Livingston, director, Weill Music Institute at Carnegie Hall – New York, NY
  • Miro Magloire, artistic and executive director, New Chamber Ballet – New York, NY
  • Stephen Manuszak, program director for international initiatives, Arts Midwest – Minneapolis, MN
  • Emily Marks, founder and director, Lionheart Youth Theatre – Austin, TX
  • Jack McLarnan, manager of Fine Arts Programs, Seattle Theatre Group – Seattle, WA
  • Heena Patel, founder and CEO, MELA Arts Connect – Edison, NJ
  • Ronee Penoi, associate producer, Octopus Theatricals – Princeton, NJ
  • Theresa Remick, managing director, Performance Center at Saint Mary’s University – Winona, MN
  • Sarah Rodriguez, associate director of Institutional Giving, Apollo Theater – Harlem, NY
  • Bonnie Schock, executive director, Sheldon Theatre – Red Wing, MN
  • Alexandra Rachelle Siclait, professional development program manager, Creative Capital – New York, NY
  • Daniel Singh, executive artistic director, Dakshina/Daniel Phoenix Singh Dance Company – Washington, DC
  • Dexter Story, artist in residence/production consultant, Community Coalition – Los Angeles, CA

The APAP Leadership Fellows Program is partly funded by the American Express Foundation, The Wallace Foundation and the National Endowment for the Arts. For more information about the program please visit

About APAP, the Association of Performing Arts Professionals

APAP, the Association of Performing Arts Professionals, based in Washington, D.C., is the national service, advocacy and membership organization dedicated to developing and supporting a robust performing arts presenting field and the professionals who work within it. Our 1,600 national and international members represent leading performing arts centers, municipal and university performance facilities, nonprofit performing arts centers, culturally specific organizations, foreign governments, as well as artist agencies, managers, touring companies, and national consulting practices that serve the field, and a growing roster of self-presenting artists.

As a leader in the field, APAP works to effect change through advocacy, professional development, resource sharing and civic engagement. APAP is a nonprofit 501(c)3 organization governed by a volunteer board of directors and led by President & CEO Mario Garcia Durham. In addition to presenting the annual APAP|NYC conference – the world’s leading forum and marketplace for the performing arts (Jan. 12-16, 2018) – APAP continues to be the industry’s leading resource, knowledge and networking destination for the advancement of performing arts presenting.

Guatemalan Kite Making

Colorful handmade kites for sale on the street. Locals display huge circular kites called barriletes & fly smaller ones each year in the cemetery on All Saints' Day to honor spirits of the dead.“Barriletes: Guatemalan Kite Making” will be held from 1-5 p.m. Saturday, June 3 and from 1-4 p.m. Sunday, June 4 at the Copper Country Community Arts Center, in Hancock.

Join Lisa Gordillo and Hugo Gordillo for an introduction into Guatemalan culture and the art of Guatemalan kite making.

Day 1: The class will learn about the cultural traditions of the barrilete, or Guatemalan kite. Each student will build his or her own barrilete in class.

Day 2: The group will meet outside (location TBD) for a picnic and will fly their new kites.

This class will be taught in both English and Spanish. (No knowledge of either language is necessary to participate!). The fee is $60 and there is a materials fee of $25 due to the instructors on the first day of class for kite supplies.

The deadline to register is tomorrow, May 27. Call the Arts Center at 482-2333 for more information or to register.