Category Archives: Theatre

Welcome to the 2017-18 Rozsa Arts Season!

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Immerse yourself in the arts at Michigan Tech
Season Tickets on Sale August 1
Single Tickets on Sale September 1

What happens when you combine Chinese martial arts, dance and acrobats in “China Gold,” a dark and physical interpretation by PUSH Physical Theatre of the gothic tale “Dracula,” world-class modern dance “Ailey II,” and an award winning all-new play from LA Theatre Works about the last 24 hours of Martin Luther King Jr.’s life, “The Mountaintop”? You get the Rozsa Visual and Performing Arts 2017/18 Season!

Welcome to the Rozsa Center for the Performing Arts, the home of Visual and Performing Arts at Michigan Tech. The Rozsa Visual and Performing Arts 2017/18 Season is nearly here. Season Ticket Packages go on sale August 1, with the best discounts available on all the season has to offer!

Season tickets are available for a limited time only, so find out more today!

There are five Season Ticket Package options this year, offering savings of 20% – 40% off single ticket prices: A Full Season Ticket Package, a pass to all the arts at Michigan Tech! Enjoy the biggest discount available off the single ticket price on all Rozsa and VPA events. The popular “Pick 6” Season Ticket Package has returned, and is an even better value this year. New this year, we have both “Pick 3” option for people who want to get their discount now and pick their shows later, and have brought back the very popular new “Family Pack” option that will help you bring the whole family to a big show at an affordable price. We hope there is a package that works for you! Thank you to all of our long-time Season Ticket holders, we’re holding your seats.  For new Season Ticket buyers, welcome, we look forward to seeing you this season.

Not interested in a Season Ticket Package? Single ticket sales begin September 1, 2017. For more information or to purchase tickets, contact Michigan Tech Ticketing Services at the Central Ticket Office (SDC), at 906-487-2073, or visit our new webste mtu.edu/rozsa.

See the exciting variety of events produced and presented by the Rozsa Center and Department of Visual and Performing Arts.


Rozsa’s Jennings Earns National Honor

Mary bw 6.1Jennings Earns National Honor for Strengthening the Rozsa Center’s Community Ties

Mary Jennings, Director of Programming and Development at Michigan Tech’s Rozsa Center for the Performing Arts, has earned a place among 25 national arts professionals chosen to participate in the third cohort of the Association of Performing Arts Professionals (APAP) Leadership Fellows Program.

This program invites arts professionals who show outstanding commitment to building collaborative processes in the performing arts to participate in a 20-month intensive Arts Leadership mentoring and training program. “The Leadership Fellows Program examines core questions around content and scope of leadership development for the performing arts field. It highlights, supports and helps participants understand and define the many reaches of leadership and its capabilities through peer-to-peer mentoring and creating a community of support,” says Mario Garcia Durham, president and CEO of APAP. In addition to a curriculum-based, five-day intensive at the University of Southern California (USC), the program focuses on the opportunity for participants to learn from and mentor each other over the course of the 20-month arc through annual gatherings at the APAP|NYC conference in New York City and continuous engagement in an online resource and discussion platform.

According to Jennings,

“To be a accepted into their national Leadership Fellows Program is a great honor and privilege. The Rozsa Center has long been an APAP member, and former Rozsa Directors have regularly attended their annual conference to find exceptional touring artists to bring to the Keweenaw as part of the Rozsa Presenting Series. The relationships and opportunities cultivated through our involvement with APAP have been invaluable to the efforts of the Rozsa Center to bring enriching, entertaining, and elite level performances to our Upper Peninsula audiences.”

This honor is no surprise to those working with Jennings at the Rozsa Center. While serving as interim Rozsa Director in 2014, then named Director of Programming and Development in 2015, Jennings created more than a dozen successful collaborative engagement activities. From backstage tours and master classes with local dance schools and the Russian National Ballet, to coordinating a Q&A for local media, Michigan Tech communications students and professionals with a senior editor of The Atlantic, to interactive displays in the Rozsa Lobby involving copper country youth robotics teams and Mind Trekkers during the Cirque Mechanics show in the finale of the 2017 Presenting Series season, she has invited many organizations and individuals to find common ground, across diverse fields, to make arts more integral to our community.

APAP Leadership Fellows Program

Building upon the program’s inaugural launch in 2015, the APAP Leadership Fellows Program’s goal is to expand the knowledge and proficiency among professionals in the performing arts field. Kenneth Foster, director of USC’s Arts Leadership Program, and Scott Stoner, APAP’s vice president of programs and resources, are co-directors of the Leadership Fellows Program. A core group of industry professionals will also lead the cohort and guide them through the program including: Dan Froot, producer/performance artist; Stephanie McKee, executive artistic director for Junebug Productions Inc.; Andre Perry, executive director of the Englert Theatre; Beatrice Thomas, multidisciplinary artist, artist coach and consultant; Cathy Zimmerman, creative consultant.

Cohort III (June 2017-January 2019)

  • Linsey Bostwick, senior producer, The Arts Center at NYU Abu Dhabi – New York, NY
  • Andre Bouchard, principal, Walrus Arts Management and Consulting, LLC – Vancouver, WA
  • Ben Cohen, senior agent, Cadenza Artists, Los Angeles, CA
  • Brett Elliott, executive director, Katharine Hepburn Cultural Arts Center – Old Saybrook, CT
  • Liza Green, associate director, NC State LIVE – Raleigh, NC
  • Leslie Hanlon, director of fundraising and marketing, Fine Arts Series at the College of Saint Benedict/Saint John’s University – St. Joseph, MN
  • Mary Jennings, director of programming and development, Rozsa Center for the Performing Arts – Houghton, MI
  • Chanon Judson, associate artistic director and BOLD coordinator, Urban Bush Women Inc. – Brooklyn, NY
  • Joshua Kane, artist and founder, Wild Baboo Productions LLC – New York, NY
  • Leah Keith, manager of artists and attractions and booking agent, Opus 3 Artists – New York, NY
  • Damia Khanboubi, program associate, Junebug Productions – New Orleans, LA
  • Michael Liu, director of Chinese Community Initiatives, Flushing Town Hall – Flushing, NY
  • Sam Livingston, director, Weill Music Institute at Carnegie Hall – New York, NY
  • Miro Magloire, artistic and executive director, New Chamber Ballet – New York, NY
  • Stephen Manuszak, program director for international initiatives, Arts Midwest – Minneapolis, MN
  • Emily Marks, founder and director, Lionheart Youth Theatre – Austin, TX
  • Jack McLarnan, manager of Fine Arts Programs, Seattle Theatre Group – Seattle, WA
  • Heena Patel, founder and CEO, MELA Arts Connect – Edison, NJ
  • Ronee Penoi, associate producer, Octopus Theatricals – Princeton, NJ
  • Theresa Remick, managing director, Performance Center at Saint Mary’s University – Winona, MN
  • Sarah Rodriguez, associate director of Institutional Giving, Apollo Theater – Harlem, NY
  • Bonnie Schock, executive director, Sheldon Theatre – Red Wing, MN
  • Alexandra Rachelle Siclait, professional development program manager, Creative Capital – New York, NY
  • Daniel Singh, executive artistic director, Dakshina/Daniel Phoenix Singh Dance Company – Washington, DC
  • Dexter Story, artist in residence/production consultant, Community Coalition – Los Angeles, CA

The APAP Leadership Fellows Program is partly funded by the American Express Foundation, The Wallace Foundation and the National Endowment for the Arts. For more information about the program please visit www.apap365.org.

About APAP, the Association of Performing Arts Professionals

APAP, the Association of Performing Arts Professionals, based in Washington, D.C., is the national service, advocacy and membership organization dedicated to developing and supporting a robust performing arts presenting field and the professionals who work within it. Our 1,600 national and international members represent leading performing arts centers, municipal and university performance facilities, nonprofit performing arts centers, culturally specific organizations, foreign governments, as well as artist agencies, managers, touring companies, and national consulting practices that serve the field, and a growing roster of self-presenting artists.

As a leader in the field, APAP works to effect change through advocacy, professional development, resource sharing and civic engagement. APAP is a nonprofit 501(c)3 organization governed by a volunteer board of directors and led by President & CEO Mario Garcia Durham. In addition to presenting the annual APAP|NYC conference – the world’s leading forum and marketplace for the performing arts (Jan. 12-16, 2018) – APAP continues to be the industry’s leading resource, knowledge and networking destination for the advancement of performing arts presenting.


Cirque Mechanics: Pedal Punk Tomorrow at Rozsa

043-CM15-PP-MS_MS33620-Cirque Mechanics: Pedal Punk” is a Steampunk-inspired performance where the audience can experience the excitement, artistry and thrill that occurs when a wacky bike shop mechanic interacts with cyclists and bikes and he repairs more than broken pieces.

He creates wondrous machines and inspires the cyclist in all of us to become a Pedal Punk.

“Cirque Mechanics: Pedal Punk” will be performed at 7:30 p.m. tomorrow (April 22) in the Rozsa Center for the Performing Arts.

Cirque Mechanics was founded in 2004 by Boston native and German wheel artist, Chris Lashua, after the success of his collaborative project with the Circus Center of San Francisco, Birdhouse Factory. Cirque Mechanics quickly established itself as a premiere American circus, with its unique approach to performance, inspiring storytelling and innovative mechanical staging. Spectacle Magazine hailed it as “the greatest contribution to the American circus since Cirque du Soleil”.

Tickets are available online, by calling 7-2073, in person at the Central Ticketing Office or at the Rozsa Center Box Office an hour before show time.



“West Side Story” Opens at Rozsa

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WLUC TV6 ran a story on the Michigan Tech Theatre Company’s production of “West Side Story.” The show opened last night at the Rozsa Center for the Performing Arts with additional performances tonight and tomorrow at 7:30 p.m. Watch the TV6 story.

The Michigan Tech Theatre Company and the Keweenaw Symphony Orchestra bring the musical “West Side Story” to the Rozsa Center for the Performing Arts. The legendary musical opens today with additional performances Friday and Saturday. Curtain time is 7:30 p.m. each evening.

West Side Story” changed the very nature of American musical theatre. With music by Leonard Bernstein and lyrics by a young Stephen Sondheim, the play was grounded in a distinctively modern sound with a passionately poetic statement — place where everyone can grow beyond the confines of hate and poverty, a safe and beautiful place.

A modern adaptation of a quintessential tale of star-crossed lovers, “West Side Story” isn’t performed often for a very good reason. According to director Patricia Helsel, “It’s simply a very difficult play to perform. The show requires many different dance styles ranging from jazz, to 50s “hipster beat,” to Latino and ballet. The music is also challenging with complex rhythms and styles for the ensemble, matched with a call for operatic technique for the young lovers. Overall, this is not your typical, run-of-the-mill golden era musical comedy.”

The subject matter is highly charged with racial tension, fear, hate and love — some pretty intense emotion that is intricately woven in textures throughout the play, taking the audience on a meaningful journey.

Comedy plays a matching role in the show, with memorable numbers like “Officer Krupke” and “America.”

Tickets are on sale now, $19 for adults, $6 for youth and no charge for Michigan Tech students with the Experience Tech fee. Tickets are available by phone at 7-2073, online, in person at the Central Ticketing Office in the Student Development Complex or the night of the event, one hour before show time, at the Rozsa Center Box Office.


STEAM Event for Youth at Cirque Mechanics: Pedal Punk

043-CM15-PP-MS_MS33620-All faculty, staff and community members with children in middle or high school are invited to sign students up for “STEAM Punk: The Science Behind the Cirque.”

Mind Trekkers, the Rozsa Center, FIRST Robotics, and Cirque Mechanics are teaming up to show area 6-12 graders the science behind the Pedal Punk show.

Cirque Mechanics describes themselves “Cirque Mechanics, although inspired by modern circus, finds its roots in the mechanical and its heart in the stories of American ingenuity. The shows, rooted in realism, display a raw quality, rarely found in modern circus, that makes their message timeless and relevant.  The stories are wrapped in circus acrobatics, mechanical wonders and a bit of clowning around.”

Not only will this be a show that the whole family will enjoy, middle and high school students will have an opportunity to go behind the scenes of the show.

Students will meet the pro-BMX biker and creator of Pedal Punk during a behind the scenes visit. They will also spend an hour with Mind Trekkers and FIRST Robotics engaging in hands-on science, technology, engineering, arts, and mathematics (STEAM) demonstrations. A pizza dinner and a ticket to the show is included.

The event begins at 3:30 Saturday, April 22 with a backstage tour of the Rozsa. After this is when we will have our STEAM demonstrations with Mind Trekkers and FIRST Robotics.

Then the students can enjoy a pizza dinner right before the show starts at 7:30pm. Parents are asked to drop their students off for the STEAM part (students only), and can meet up with their children for the start of the show.

More information and ticketing info is available here.

(Note the event is now open to 6th-12th graders not just 6th-8th graders as stated on the flyer)


“Sexual Perversity in Chicago” Thursday – Saturday

6208281760_9d9ee08208_mMichigan Tech Theatre Company’s production of David Mamet’s award-winning “Sexual Perversity in Chicago” continues this weekend.

With performances in the McArdle Theatre, the play is presented as a hilarious on-stage “game show,” using mature and graphic language to reveal the awkwardness, heartache and humor of American sexual behavior.

Performances are 7:30 p.m. tomorrow, Friday and Saturday (Feb. 23-25), in the McArdle Theatre. Tickets are available online, by phone 7-2073, in person at the Central Ticketing office in the SDC and an hour before show time at the McArdle box office.


Play to be Presented in Game Show Format

6208281760_9d9ee08208_mDavid Mamet’s award-winning play “Sexual Perversity in Chicago” is given an inventive new staging by the Michigan Tech Theatre Company.

Opening Thursday in the McArdle Theatre, the play will be presented as a hilarious on-stage  “game show,” using mature and graphic language to reveal the awkwardness, heartache and humor of American sexual behavior.

The play opens tomorrow night, with additional performances Friday, Saturday and Feb. 23-25 at the McArdle Theatre in the Walker Arts and Humanities Center. Performance time is 7:30 each evening.

According to Director Roger Held, the Obie (off-Broadway) Award-winning play “explores the nature of sexual relationships: Their awkward, unreasonable natures and how humans stubbornly cling to them in spite of heartache.”

In a fun twist to the game show theme, Tech Theatre is collaborating with Student Health and Wellness to help launch the new campus health initiatives, “Let’s Talk About Sex” and “Sex-versations.”

Part of the play will present “commercial breaks” with information about the two health initiatives. The commercials were created by Wellness students, staff and Held. Wellness will also have a table with information about the initiatives set up in the lobby.

Tickets are on sale now, $13 for adults, $5 for youth and no charge for Michigan Tech students with the Experience Tech Fee. Tickets are available online, by phone 7-2073, in person at the Central Ticketing office in the SDC and an hour before show time at the McArdle box office.


“Sexual Perversity in Chicago” Opens Thursday

5e1a85bec4d270eac4578defc44bb93d63d6dda2 (1)The Michigan Tech Theatre Company presents David Mamet’s award winning play “Sexual Perversity in Chicago.”

The play, which explores the nature of sexual relationships, will be performed Thursday, Friday and Saturday, with additional performances Feb. 23-25 in the McArdle Theatre on the second floor of the Walker Fine Arts and Humanities Center. Performance time is 7:30 p.m. each evening.

First produced in 1974, “Sexual Perversity in Chicago” continues to speak to generations of young adults in the unyielding clutches of sexual inelegance.

According to the New York Times, the play “takes funny and painful digs at the fantasies and distances of the contemporary sexual game.”

It has twice been adapted to film, “About Last Night … ” (1986) starring Rob Lowe and Demi Moore and “About Last Night” (2014) with Kevin Hart and Regina Hall.

The Tech Theatre production of “Sexual Perversity in Chicago” is under the direction of Roger Held. Tickets are $13 for adults, $5 for youth and no cost for Michigan Tech Students with the Experience Tech Fee.

Tickets are available online, at the Central Ticketing Office in the Student Development Complex and by phone, 7-2073.


Friedrich finalist in Distinguished Teaching Awards

image45288-persThe William G. Jackson Center for Teaching and Learning seeks input for its annual Distinguished Teaching Awards, which recognize outstanding contributions to the instructional mission of the University.

Based on more than 50,000 student ratings of instruction responses, ten finalists have been identified for the 2017 awards. The selection committee is soliciting comments from students, staff, faculty and alumni to aid in deliberation.

Mary Carol Friedrich is a finalist in the Associate Professor/Professor Category