Who owns the wind? The leaves on the trees? When a paper company cuts down a 75-year-old tree, or a landowner clears brush for a better view of the lake, how is an entire ecosystem affected? What ethical, cultural and social questions are raised?
The exhibition opens at the Rozsa Center’s gallery A-Space, on Friday, Sept. 22. “It’s nothing personal (space)” is an exploration of the competing ideas of ownership and stewardship as they relate to public and private land, trees and deserts, and individual and corporate voices.
Inspired by a road trip to the Malheur Wildlife Refuge, the site of militia protests during the winter of 2016, the exhibition includes fiber, audio, video and drawings.
A reception which features a discussion of her work by the artist will be held from 5 to 6:30 p.m. Saturday, Sept. 22. The reception and exhibit are free and open to the public. The show will remain open through Nov. 11. Gallery hours are 8 a.m. to 8 p.m. Monday through Friday and 1 to 8 p.m. Saturdays.
Rozsa Center calendars for the 2017-2018 season are now available — both full-size wall calendars and the handy pocket/desk calendars!
Season Ticket Packages are on sale now, with the best discounts available on all the season has to offer! There are four Season Ticket Package options this year, offering savings of 18 to 37 percent off single-ticket prices.
Single-ticket sales begin Sept. 1. For more information or to purchase tickets, contact Michigan Tech Ticketing Services at the Central Ticket Office (SDC), at 7-2073, or visit our website.
You can pick up one of each or both at the Rozsa Center or at any of the more than 120 local Houghton and Hancock businesses who display and distribute them each year.
For Michigan Tech faculty and staff, we would like to make it easy for you to get your copies of the calendars. If you would like a calendar delivered directly to your campus mailbox, please click on this link and fill out the google form. We will gladly send a calendar to you in inter-campus mail.
Michigan Tech’s Department of Visual and Performing Arts’ Tech Theatre Company will hold auditions September 6 – September 7th in preparation for their first two plays of the 2017-18 performance season. Auditions will be held at 7:00 PM each evening, those who wish to participate are asked to arrive 15 minutes early, at 6:45 PM. The auditions are open to anyone, and include opportunities for students and community members to perform in plays that will be held in the McArdle Theatre. The plays are Picasso at the Lapin Agile, by Steve Martin, and Fires in the Mirror, by Anna Devere Smith.
Picasso at the Lapin Agile (McArdle)
Play run dates are October 12 – 14 & 18 – 20. Picasso at the Lapin Agile auditions will be in the McArdle Theatre, on Sept. 6 & 7, 7:00 PM. Play summary: Steve Martins’ thoughtfully comedic look at the 20th century. Sitting down for a few drinks at the Lapin Agile major and imaginary figures of the 20th century join us and in an evening we live through the perspective shifting experience of the 20th century. A century in an evening that makes it impossible to experience reality in the same way ever again. For questions regarding Picasso at the Lapin Agile, please contact Christopher Plummer, firstname.lastname@example.org, 906-487-3282.
Fires in the Mirror (McArdle)
Play run dates are November 15 – 16 & 30 – December 2. Auditions for Fires in the Mirror will be in Room 210 across the hall from the McArdle Theatre, Sept. 6 & 7, 7:00 PM. Play summary: How can these things happen? A child is hit by a car while playing on the sidewalk. In retaliation, a young man is stabbed to death. A community turns inward upon itself, neighbor set against neighbor. Can an out of balance world be set right? Anna Devere Smith interviewed members of Brooklyn’s Crown Heights Community and using their own words assembled a retelling of their solemn road from hate and violence to understanding. At once poignant and colored by powerful feelings, Fires in the Mirror is an unusual evening of theatre taking us to the heart of disaster and understanding and bringing us home safe. For questions regarding Fires in the Mirror, please contact Roger Held, email@example.com, 906-487-3283.
The music ensembles at Michigan Tech will hold annual ensemble auditions from August 30 – September 7th in preparation for the 2017-18 performance season. The ensembles include opportunities for students and community members to perform band, choral, jazz, and orchestral literature in concerts from September 2017-April 2018. Some ensembles only include students and others are open to participants from the community.
Michigan Tech Choral Auditions (Walker 209C)
Audition times are available on the following days:
- Wednesday, August 30, 1:00pm-5:00pm
- Thursday, August 31, 1:00pm-5:00pm
- Friday, September 1, 8:00am-12:00pm
- Tuesday, September 5, 9:00am-12:00pm
- Rehearsals begin on Wednesday, September 6
Please prepare a vocal solo that highlights your voice. Use our signup spreadsheet to sign up for a 20-minute audition appointment. Contact Dr. Jared Anderson (firstname.lastname@example.org) for more information. For general information on the choirs at Michigan Tech visit our Choirs page on the VPA Music website.
Superior Wind Symphony Auditions (Rozsa 208)
Auditions will be held Sunday, Sept. 3 from 10:00am to 9:00pm in the Band room. Please contact Dr. Michael Christianson (email@example.com) for more information. For general information on the Superior Wind Symphony please see our Bands page.
Keweenaw Symphony Orchestra Auditions (Rozsa 205)
Michigan Tech Jazz Auditions (Rozsa 208)
Jazz auditions will be held by appointment during the first week of classes Tuesday, September 4 – Friday, September 7. Audition sign up sheets and instructions will be located outside of the Visual and Performing Arts Department office (Walker 209) beginning on Monday, August 28. Jazz rehearsals will begin on Monday, September 11, 2017. Please contact Mike Irish (firstname.lastname@example.org) for more information. For general information on the Jazz ensemble please see our Jazz page.
Mary Jennings, Director of Programming and Development at Michigan Tech’s Rozsa Center for the Performing Arts, has earned a place among 25 national arts professionals chosen to participate in the third cohort of the Association of Performing Arts Professionals (APAP) Leadership Fellows Program.
This program invites arts professionals who show outstanding commitment to building collaborative processes in the performing arts to participate in a 20-month intensive Arts Leadership mentoring and training program. “The Leadership Fellows Program examines core questions around content and scope of leadership development for the performing arts field. It highlights, supports and helps participants understand and define the many reaches of leadership and its capabilities through peer-to-peer mentoring and creating a community of support,” says Mario Garcia Durham, president and CEO of APAP. In addition to a curriculum-based, five-day intensive at the University of Southern California (USC), the program focuses on the opportunity for participants to learn from and mentor each other over the course of the 20-month arc through annual gatherings at the APAP|NYC conference in New York City and continuous engagement in an online resource and discussion platform.
According to Jennings,
“To be a accepted into their national Leadership Fellows Program is a great honor and privilege. The Rozsa Center has long been an APAP member, and former Rozsa Directors have regularly attended their annual conference to find exceptional touring artists to bring to the Keweenaw as part of the Rozsa Presenting Series. The relationships and opportunities cultivated through our involvement with APAP have been invaluable to the efforts of the Rozsa Center to bring enriching, entertaining, and elite level performances to our Upper Peninsula audiences.”
This honor is no surprise to those working with Jennings at the Rozsa Center. While serving as interim Rozsa Director in 2014, then named Director of Programming and Development in 2015, Jennings created more than a dozen successful collaborative engagement activities. From backstage tours and master classes with local dance schools and the Russian National Ballet, to coordinating a Q&A for local media, Michigan Tech communications students and professionals with a senior editor of The Atlantic, to interactive displays in the Rozsa Lobby involving copper country youth robotics teams and Mind Trekkers during the Cirque Mechanics show in the finale of the 2017 Presenting Series season, she has invited many organizations and individuals to find common ground, across diverse fields, to make arts more integral to our community.
APAP Leadership Fellows Program
Building upon the program’s inaugural launch in 2015, the APAP Leadership Fellows Program’s goal is to expand the knowledge and proficiency among professionals in the performing arts field. Kenneth Foster, director of USC’s Arts Leadership Program, and Scott Stoner, APAP’s vice president of programs and resources, are co-directors of the Leadership Fellows Program. A core group of industry professionals will also lead the cohort and guide them through the program including: Dan Froot, producer/performance artist; Stephanie McKee, executive artistic director for Junebug Productions Inc.; Andre Perry, executive director of the Englert Theatre; Beatrice Thomas, multidisciplinary artist, artist coach and consultant; Cathy Zimmerman, creative consultant.
Cohort III (June 2017-January 2019)
- Linsey Bostwick, senior producer, The Arts Center at NYU Abu Dhabi – New York, NY
- Andre Bouchard, principal, Walrus Arts Management and Consulting, LLC – Vancouver, WA
- Ben Cohen, senior agent, Cadenza Artists, Los Angeles, CA
- Brett Elliott, executive director, Katharine Hepburn Cultural Arts Center – Old Saybrook, CT
- Liza Green, associate director, NC State LIVE – Raleigh, NC
- Leslie Hanlon, director of fundraising and marketing, Fine Arts Series at the College of Saint Benedict/Saint John’s University – St. Joseph, MN
- Mary Jennings, director of programming and development, Rozsa Center for the Performing Arts – Houghton, MI
- Chanon Judson, associate artistic director and BOLD coordinator, Urban Bush Women Inc. – Brooklyn, NY
- Joshua Kane, artist and founder, Wild Baboo Productions LLC – New York, NY
- Leah Keith, manager of artists and attractions and booking agent, Opus 3 Artists – New York, NY
- Damia Khanboubi, program associate, Junebug Productions – New Orleans, LA
- Michael Liu, director of Chinese Community Initiatives, Flushing Town Hall – Flushing, NY
- Sam Livingston, director, Weill Music Institute at Carnegie Hall – New York, NY
- Miro Magloire, artistic and executive director, New Chamber Ballet – New York, NY
- Stephen Manuszak, program director for international initiatives, Arts Midwest – Minneapolis, MN
- Emily Marks, founder and director, Lionheart Youth Theatre – Austin, TX
- Jack McLarnan, manager of Fine Arts Programs, Seattle Theatre Group – Seattle, WA
- Heena Patel, founder and CEO, MELA Arts Connect – Edison, NJ
- Ronee Penoi, associate producer, Octopus Theatricals – Princeton, NJ
- Theresa Remick, managing director, Performance Center at Saint Mary’s University – Winona, MN
- Sarah Rodriguez, associate director of Institutional Giving, Apollo Theater – Harlem, NY
- Bonnie Schock, executive director, Sheldon Theatre – Red Wing, MN
- Alexandra Rachelle Siclait, professional development program manager, Creative Capital – New York, NY
- Daniel Singh, executive artistic director, Dakshina/Daniel Phoenix Singh Dance Company – Washington, DC
- Dexter Story, artist in residence/production consultant, Community Coalition – Los Angeles, CA
The APAP Leadership Fellows Program is partly funded by the American Express Foundation, The Wallace Foundation and the National Endowment for the Arts. For more information about the program please visit www.apap365.org.
About APAP, the Association of Performing Arts Professionals
APAP, the Association of Performing Arts Professionals, based in Washington, D.C., is the national service, advocacy and membership organization dedicated to developing and supporting a robust performing arts presenting field and the professionals who work within it. Our 1,600 national and international members represent leading performing arts centers, municipal and university performance facilities, nonprofit performing arts centers, culturally specific organizations, foreign governments, as well as artist agencies, managers, touring companies, and national consulting practices that serve the field, and a growing roster of self-presenting artists.
As a leader in the field, APAP works to effect change through advocacy, professional development, resource sharing and civic engagement. APAP is a nonprofit 501(c)3 organization governed by a volunteer board of directors and led by President & CEO Mario Garcia Durham. In addition to presenting the annual APAP|NYC conference – the world’s leading forum and marketplace for the performing arts (Jan. 12-16, 2018) – APAP continues to be the industry’s leading resource, knowledge and networking destination for the advancement of performing arts presenting.
“Cirque Mechanics: Pedal Punk” is a Steampunk-inspired performance where the audience can experience the excitement, artistry and thrill that occurs when a wacky bike shop mechanic interacts with cyclists and bikes and he repairs more than broken pieces.
He creates wondrous machines and inspires the cyclist in all of us to become a Pedal Punk.
“Cirque Mechanics: Pedal Punk” will be performed at 7:30 p.m. tomorrow (April 22) in the Rozsa Center for the Performing Arts.
Cirque Mechanics was founded in 2004 by Boston native and German wheel artist, Chris Lashua, after the success of his collaborative project with the Circus Center of San Francisco, Birdhouse Factory. Cirque Mechanics quickly established itself as a premiere American circus, with its unique approach to performance, inspiring storytelling and innovative mechanical staging. Spectacle Magazine hailed it as “the greatest contribution to the American circus since Cirque du Soleil”.
Tickets are available online, by calling 7-2073, in person at the Central Ticketing Office or at the Rozsa Center Box Office an hour before show time.
The concert will feature music that has been prepared for the Michigan Tech Concert Choir international tour to South Africa. According to Choirs Director Jared Anderson, “The evening will include performances of sacred motets, African-American spirituals, American folk songs, music about the displaced as well as beloved songs from South Africa.
The two wind bands of Michigan Tech, Superior Wind Symphony and Campus Concert Band, will present their yearly combined concert at 7:30 p.m. Thursday (April 20) in the Rozsa Center.
This year’s theme is “En Fuego!” — a concert featuring music that is imbued with heat. Mike Christianson, director of bands, will first lead each band individually, finishing with the two combining into a “megaband” of 120 musicians.
According to Christianson, “The music is by composers who hail from exotic climes such as Spain, Brazil, Mexico, Argentina, France, Germany and Saginaw.” Music will range from South American symphonies, Spanish jazz arrangements, Afro-Cuban and Latin music, and even a favorite by Stevie Wonder.
Highlights include Handel’s “Overture from Music for The Royal Fireworks,” “Mambo in F” arranged by Cico O’Farrill, “Cucurrucucu Paloma” with a guest performance by Jared Anderson-voice, “The Maids of Cadiz” featuring guest Aaron Christianson on trumpet and favorites “Don’t You Worry ‘Bout A Thing,” by Stevie Wonder, “Amparito Roca” and “Malaguena.”
Tickets for “En Fuego!” are on sale now, $13 for adults, $5 for youth and no charge for Michigan Tech students with the Experience Tech fee. Tickets are available by phone at 7-2073, online, in person at the Central Ticketing Office or at the Rozsa Box Office the evening of the performance. Note that the Rozsa Box Office only opens two hours prior to performances.