Day: February 24, 2014

Saima Ghazal, who is a PhD candidate in Applied Cognitive Science and Human Factors, is a Spring 2014 recipient of the Dean’s Award for Outstanding Scholarship. Saima was nominated by the Department of Cognitive and Learning Sciences based on her GPA, originality in research, professionalism, work ethic, and other selection criteria. Saima’s advisors are Edward T. Cokely and Rocio Garcia Retamero.

A certificate of recognition for this award will be presented at the Graduate Research Colloquium Banquet that is held in the spring.

View the PHOTO GALLERY and ABSTRACT BOOK for the event.

Finlandia University Gallery Exhibit
February 27 to March 19

Thursday, February 27, 2014

ARTIST TALK
1:00-2:30 p.m
Finlandia’s Jutila Center
3rd Floor Chapel

OPENING RECEPTION
7:00-8:30 p.m
Finlandia University Gallery
Finnish American Heritage Center

Tony Orrico will present work from his Penwald Drawings and CARBON Series.

Penwald Drawings are a series of bilateral drawings in which Orrico explores the use of his body as a tool of measurement to inscribe geometries through movement.  He uses a physical practice, symmetry practice (circa 2005), as point of entry into this work.  In his termed “state of readiness”, he is interested in the application of a present body to a surface, object, or course.  His gestures derive from the limitation of (or spontaneous navigation within) the sphere of his outstretched arms.  Line density becomes record of his mental and physical sustain as he commits his focus to a greater concept of balance throughout extended durations of drawing. Centralizing on themes of cyclic motion and the generation and regeneration of material, the work draws on the tension between what is fleeting and what is captured.  The master of each drawing is a conceptual score of which he only produces eight times on paper in his lifetime.

In the CARBON series, body, graphite, plane, time and space combine to become powerful reflections on life cycles, energetic flows and complementary opposites. His repetitious movements, often leading to exhaustion, become deep metaphors about life and death simultaneously.

Tony Orrico has performed/exhibited his work in the US, Australia, Belgium, China, Denmark, France, Germany, Mexico, the Netherlands, Poland, and Spain. His visual work is in collection at The National Academy of Sciences (Washington DC) and Museo Universitario de Arte Contemporáneo (Mexico City) as well as prominent private collections. He has recently been presented at SCAD: deFINE ART, Cranbrook Art Museum, New Museum, and Poptech 2011: The World Rebalancing.  In June he will perform Penwald: 2: 8 circles: 8 gestures at Center Pompidou-Metz.

As a former member of Trisha Brown Dance Company and Shen Wei Dance Arts, Orrico has graced such stages as the Sydney Opera House, Teatro La Fenice, New York State Theater, and Théâtre du Palais-Royal. He was also one of a select group of artists to re-perform the work of Marina Abramovic during her retrospective at MoMA.

Orrico will be collaborating on research and an exhibition with Finlandia University Gallery and the International School of Art & Design, along with Michigan Technological University’s Visual and Performing Arts and Computer Science Departments.  Students and faculty from both campuses will be involved as Orrico works in The Mind Music Machine (tri-M) Lab, an interdisciplinary research group based in Cognitive and Learning Sciences and Computer Science at Michigan Tech.

From Finlandia Future Gallery Exhibits.