Category: Announcements

Audio Engineering Society Student Recording Competition Finalists!

Three Michigan Tech Students were selected as finalists in the Audio Engineering Society (AES) Student Recording Competition. They will present their recordings at the AES Conference in NYC on October 26th.

Spencer Beasley (Audio Production and Technology) was selected as a finalist in the Modern Studio Recording & Electronic Music category for his recording “Glass Air”.

Matthew Fisher (Sound Design) was selected as a finalist in the Sound for Visual Media category for his recording “Alarm”.

Rowdy Vyverberg (Sound Design) also was selected as a finalist in the Sound for Visual Media category for his recording “RPG Audio Implementation”.

Finalists in the music mixing competition were students from major international universities, including the Peabody Institute (Johns Hopkins), University of Toronto, Hochschule Düsseldorf, McGill University, Indiana University, and Arizona State University. Michigan Tech was the only school with three student finalists in the competition. Congratulations!

Midwest Arts XPO Conference Report

Kier Birondo (Rozsa Marketing Manager) and Hannah Rundman Lowney (Rozsa Audience Manager) recently attended the Midwest Arts XPO in Indianapolis, IN. They served on four panels that tie directly to the mission of Michigan Tech: launching new technologies through innovation.

Traditional Media, Social Media, and AI: Rozsa digital programs were a popular topic of discussion. Many people were interested in connecting with Kier to learn more about the implementation and the performance of digital programs at the Rozsa Center.

Presenting in Rural Communities: A participant told Hannah after the session that the Rozsa Center and the many ways it operates and the things that are happening there was their primary takeaway from the entire conference, confirming the positive and noteworthy reputation of the Rozsa Center.

Ticketing Systems & Data Management: Many session attendees were there specifically to learn about the Pay As You Are Able (PAYA) ticketing initiative at the Rozsa Center.

Making Your Events More Earth Friendly: This session highlighted the sustainability strategic initiatives implemented at the Rozsa Center, resulting in paper and waste reduction and saving Michigan Tech thousands of dollars.

Christopher Plummer and Andrew Burton Presenting at Oct. 9 Research Forum

by Office of the Provost and Senior Vice President for Academic Affairs

Distinguished Professor Christopher Plummer (Visual & Performing Arts) and Distinguished Professor Andrew Burton (College of Forest Resources and Environmental Science) will be featured at the Michigan Tech Research Forum (MTRF) on October 9. The event will be held in the Memorial Union Ballroom A. The lectures will begin at 4 p.m. Networking and light refreshments will begin at 3:45 p.m. and will continue after the lectures.

Plummer’s presentation is titled “Sound as a foundation of our built and digital environments.”

Burton’s presentation is titled “Long-term ecological research – the gift that keeps on giving.”

Additional details can be found on the MTRF website.

The Office of the Provost presents the MTRF with support from the Vice President for Research Office. The forum showcases and celebrates the work of Michigan Tech researchers and aims to strengthen discussions in our community. All are welcome, including the general public.

New Music in the Mine Presented by Michigan Tech Music

Hard hats are required — and provided — to hear this exciting new music by contemporary composers in the Quincy Mine hoist building. This annual sell-out show will contain some of the best music you haven’t heard yet! View Digital Program in advance.

Here is this year’s lineup:

THURSDAY
Pat Booth, saxophone
conScience: Michigan Tech Chamber Singers
Adam Hall, cello
Adam Meckler, trumpet
Stephen Rush, piano

FRIDAY
conScience: Michigan Tech Chamber Singers
Susie Byykkonen, flute
Michael Christianson, tuba
Adam Hall, cello
Stephen Rush, piano

CONTENT GUIDANCE | instrumental and vocal new music; hard hats required
PRESENTER | Michigan Tech Music
VENUE | Quincy Mine No. 2 Shaft Hoist House
DURATION | Approx. 45 min
TICKETS | Pay As You’re Able ($20 Full Ticket Fee) What is this?
SEATING | General Admission

About

Michigan Tech Music has a long history of high-quality music ensembles open to students from all majors on campus. Its composition program, bands, orchestra, jazz, and choral ensembles expose students, faculty, and the community to the artistic and communicative values of music and the power it has to change lives. Each group performs regularly in the Rozsa Center for the Performing Arts and in venues in the community.

Living composers, unusual instruments, and unique spaces are all at the forefront of the bold, delightful, and innovative experiences the Keweenaw has come to expect from New Music at Michigan Tech. Led by Dr. Libby Meyer, New Music invites you to experience concerts, workshops, speaking events, and masterclasses by some of the greatest living composers and classical musicians.

Libby Meyer is a composer whose work reflects the natural rhythms and patterns of the world around her. Her music, including chamber, orchestral, choral, wind symphony, film, dance and theater, has been commissioned and performed throughout the United States. An avid equestrian, kayaker and distance runner, Libby currently resides in Michigan’s beautiful Keweenaw Peninsula with her husband Evan, a Pyrenees Mountain dog, a secretive cat, and thousands of honeybees. She holds a DMA in Composition from Northwestern University and is a Teaching Professor in Music Theory/Composition at Michigan Tech University. Listen to recordings of Libby’s work.

Sponsors

Support for this event provided by the Janet Locatelli Fund, the Visual and Performing Arts Department, and its supporters. View current donors to the Visual and Performing Arts Department.

Pay As You’re Able Ticketing

The Visual and Performing Arts Department believes that the foundation of an equitable and inclusive arts culture requires making events financially accessible to all. So, we are offering Pay as You’re Able ticketing for all of our Michigan Tech Music and Michigan Tech Theatre events. Learn more.

Accessibility

Accessible Parking
There are accessible parking spaces in the Quincy Mine parking lot.

Accessible Entry
The 1984 Hoist House is accessible by an ADA-compliant ramp, and a lift is available to access the 1918 Hoist House, where the performances will take place.

Print and Digital Programs

Digital Program
The full program will be available online at least one day in advance for all devices and is compatible with most screen readers.

Limited Print Program
Print programs containing limited show information will be available at the door.

Large-Print Program
A large-print version of the limited print program is available in advance online. A limited quantity is printed and available at the door.

Additional Information

Box Office Information
Accessibility Services
Parking Information​
View All Upcoming Events
Volunteer at the Rozsa
Donate to support events like this

Listen to IPEC’s New Podcast Episode Featuring Libby Meyer

by Kendall Belopavlovich, Institute for Policy, Ethics, and Culture

In October’s episode of “IPEC Presents,” our guest and Institute for Policy, Ethics, and Culture (IPEC) executive committee member Libby Meyer (VPA) discusses her work as a composer, her guilty pleasure musical choices, and what it means to co-create with the world around us.

Meyer is a dynamic, insightful and well-rounded artist whose perspective on the world inspires us to deepen our relationships — and to liberate our idea of stealing to create.

Now streaming on Spotify and Apple Podcasts. Listen now.

Layered in Between: Prints by Erin Hoffman Presented by Michigan Tech Art

Erin Hoffman is an artist and printmaker from Muskegon, Michigan, who deals primarily with political and social concerns. Through the presentation of mismatched ideas and assemblages, her art serves as a prompt for critical thought and new conclusions.

CONTENT GUIDANCE | war
PRESENTER | Michigan Tech Art
VENUE | Rozsa Galleries A-Space
EXHIBIT OPEN | September 15 – November 4
HOURS | M-F 8 A.M.-8 P.M. AND SA 1-8 P.M.

ARTIST STATEMENT

I feel that one experiences and draws conclusions about the world through the assembly of mismatched ideas and sensorial memories. Sometimes the associations of these ideas are seemingly random and other times there are lines that can be drawn between them that may lead to overarching truths or conclusions. I hope my work will lead viewers to new conclusions.

My work uses printed and hand drawn/painted imagery taken from historical references to reflect on current social and political issues.

About

Erin Hoffman has been involved in the art community since early childhood. She was first published at age six in a local Fort Wayne, Indiana newspaper, “The Sentinel” for her visual interpretation of “A Sunny Day.” She is currently a full-time tenured art instructor at Muskegon Community College in Muskegon, Michigan teaching Printmaking, Art Appreciation, Drawing, Painting, Figure Drawing, Contemporary Art History and 2-d design.

She received her Bachelor of Fine Arts degree in 2001 from the University of Northern Iowa in Cedar Falls, Iowa and received her Master of Fine Arts degree in 2005 at the University of Georgia in Athens, Georgia. Both degrees are in printmaking.

Erin completed work at two artist residencies in 2018, the first being the Skopelos Foundation of the Arts in Skopelos, Greece and the second at Centrum in Port Townsend, Washington. She has exhibited work in group and solo exhibitions all over the US.

Her work mixes relief printmaking techniques with intaglio, lithography and hand-painted material. It uses historical and politically themed imagery to examine aspects of contemporary American society.

Interdisciplinary collaborations. Gallery exhibits. Community projects. There are many ways to experience Michigan Tech Art. Michigan Tech Art is part of the Michigan Tech Visual and Performing Arts Department.

The Rozsa Galleries offer dynamic exhibits that showcase engaging work — from local to international artists. We strive to offer diverse programming that supports our students and our community. Our professional A-Space hosts two curated exhibits each year. A-Space strives for diverse, engaging, and thoughtful programming that supports contemporary artists and deepens our student’s learning. Local, regional, national, and international artists exhibit here. A-Space shares a wall with Gallery B, our student gallery classroom. This offers special opportunities for our students to observe and participate in the galleries year-round.

Vienna-Prague-Dresden | Led by Lisa Gordillo, Mary Cyr, and Kent Cyr

Temple of Tyn Prague
Temple of Tyn at Old Town Square in Prague (Courtesy of: Denis Poltoradnev-Unsplash)


Imagination. Creativity. Local and world histories. Art. Theatre. Music. Design. Michigan Tech’s first arts-focused study abroad is an immersive experience. Students from many campus majors are taking part: from Theatre and Sound Design, Humanities, and Chemistry, to Biomedical and Environmental Engineering. The trip focuses on art, theatre, architecture, and culture, with a special emphasis on the Prague Quadrennial, one of the largest theatre design events in the world. Students explore world heritage sites, study works of art in museums and galleries, attend performances, and reflect on local/global history, culture, and connection. The trip is open to all majors and is designed for students whose interests benefit from creativity and new perspectives – in other words, everyone. Follow us on the trip blog and on Instagram.

St. Vitus Cathedral
St. Vitus Cathedral rises above the Vitava River in Prague (Courtesy of: William Zhang-Unsplash)
Prague Astronomical Clock
Prague Astronomical Clock (Courtesy of: Jack Hunter-Unsplash)

Don Keranen Jazz Awards

Director of Jazz Studies, Adam Meckler, has announced this year’s student recipients for the Don Keranen Endowed Scholarship Awards.

Each year, excellence in Jazz is recognized by way of the Don Keranen Memorial Jazz Scholarship. Three students are chosen by their peers in recognition of improvement, excellence, and leadership. Our award winners this year include R&D Bass Player Jay Jamison-Sawicki, Workshop Brass Band Harrison Harland, and Lab Band Lead Tenor Saxophonist Liam Cacioppo.

These students all showed leadership, dedication, excellence, and improvement this year. I am grateful for them, and wish them continued success in the coming years.

Director of Jazz Studies, Adam Meckler

headshot for bio

Michael “Jay” Jamison-Sawicki is a First-Year majoring in a Bachelor’s in Power Distribution Engineering at Michigan Tech. He discovered his love of Jazz, however, his Senior year of High School where he was recruited by the Jazz/Honors Band at Summit Academy North. Ever since his time there, he’s played bass in the Research and Development Big Band at MTU, picking up multiple skills and learning valuable musical lessons that continue to further bolster his musicianship.

headshot for bio

Harrison Harland is a second year at Michigan Tech, and a double major in Accounting and MIS. Harrison started playing bass guitar 3 years ago and the MTU jazz program has been an excellent first experience in both jazz music and performing live music! To Harrison, playing music is all about sharing cool ideas and spreading good vibes the whole way!

headshot for bio

Liam Cacioppo is a saxophonist that has been playing for 12 years. He is from Ingleside, Illinois but frequent trips to the Upper Peninsula made him become familiar with Tech and its extreme winters. While being an engineer takes up most of his time, he always tries to find some time to continue playing jazz. Alongside playing jazz you could find him skiing, taking a walk around, or wearing a sweater.

Libby Meyer’s CD To What Listens Gives Voice to the Landscape and Its Inhabitants

The latest album from Libby Meyers To What Listens

The Keweenaw is awash in the sounds of nature. The cold north wind whistling through the birch trees at Fort Wilkins. The waves of Lake Superior slapping the agates along Bete Gris. The water whooshing through the rocks at Hungarian Falls. The loons conversing at dusk against the red and orange brilliance of the sky. It is the place for Libby Meyer, a teaching professor in Michigan Technological University’s visual and performing arts department and director of the music composition program, to create her art. To draw inspiration from her surroundings. “By giving a voice to the landscape and its inhabitants, my hope is to express this fragile relationship that we all share and need to sustain.”

You can hear that voice clearly in her latest CD release To What Listens. The CD project was funded by a grant from the University’s Research Excellence Fund Scholarship and Creativity Grants program. The recordings of choral and chamber works on Albany Records feature performances from the Capella Clausura conducted by Amelia LeClair and the Juventas New Music Ensemble.

Libby Meyer
Libby Meyer

The CD opens with “For Johnny B,” an arrangement of a movement from Lakescape, an orchestral work commissioned by the Keweenaw Symphony Orchestra and funded by a grant from the National Endowment for the Arts and the National Park Service in honor of the 100th Anniversary of the National Park Service. “For Johnny B” celebrates the Keweenaw National Historical Park. The lyrics were crafted from an oral history of Giovanni “Johnny” Battista Perona, a farmer, laborer, custodian, master musician on spoons, bones, and concertina as well as a butterfly enthusiast from Calumet. 

In “Melusina Calls to the Loon,” Libby captures the sounds of life on Isle Royale National Park, where she was an artist in residence in 1999. On walks, Libby would make up stories to fit the sounds surrounding her. On one particular walk, she imagined a melancholy conversation between a mermaid and a loon, each enchanted by the music of the other. 

The title track “To What Listens” is a set of five poems by Wendell Berry, poet, farmer, and environmental activist. These brief poems give birds a voice and use music inspired by bird songs, reminding us only by being fully present can we appreciate the beauty that is right now. The liner notes encourage, “Habitat loss is causing the woods to become quieter, so it is more important than ever that we listen to ‘the hidden singers.”

From Violin Lessons to Performances to Composition

Her music career started early with violin lessons from her musician father. Passion for music burned. She pursued a degree in music performance at Michigan State, but a broken arm made playing the violin painful. Instead, she started to compose and switched her major to theory and composition.

Composing was never presented to me as an option. It was something other people did and not a lot of other people did it. However, I realized that a bachelor’s in composition was less than worthless, so I decided to apply to grad school and I got in.

Libby Meyer

Northwestern offered Libby a full ride. “Chicago had great opportunities with lots of music, so it seemed like a great choice,” she says. Libby loved the energy of living in Chicago and the activity the city offered. “There is a lot of concrete in Chicago.”

Libby Meyer Finds Her Home in the Upper Peninsula

It wasn’t long before she decided to trade the concrete of Chicago for the timbers of the Upper Peninsula. “I had the great fortune to be selected as an artist in residence at Isle Royale National Park. I didn’t know it at the time, but it would become a life-altering experience. One that inspired me to leave Chicago without any real plan and move to the U.P. where I now make my home these many years later. Upon arrival at the park, I was immediately fascinated by the novel sights and sounds all around me; so different from the soundscapes of Chicago. It was here that I heard a white-throated sparrow for the first time and was so transfixed that I spent the following weeks trying to identify all the sounds that I was hearing. Each night walking from my cabin I would hear the calls of the loons, the chattering of squirrels, the chirping of frogs, bird songs, and the motion of Lake Superior.”

That the great outdoors has become her muse is no surprise given her introduction to it on Isle Royale. She admits it is hard to separate her work from the Keweenaw, whether it’s bugs in the summer or snow the other nine months of the year. Or the lake. “The lake is my little nirvana,” she says. It inspires her to create new sounds.

New sounds are a welcome addition to the local community of talented musicians. They are always willing to play something new and different. “If I write something I can get it played. The best thing about being a composer is writing something and having someone play it,” she says. It is just one of the joys of being a musician in this place.

The Joys Music Brings to Libby

In talking to her, it is clear music is front and center. She loves to see what she can do with music. Libby creates her own music and sounds, using what she hears in nature for inspiration. Here in Houghton, the inspiration is unencumbered by the white noise of the big city. Plus, Michigan Tech offers other advantages to being a composer. If she writes something she is confident it can be played. And writing something and hearing it played brings her the most joy.

Another joy for Libby is nurturing music in her students; seeing the excitement they get by writing music. She loves how curious and creative the students are; especially since most downplay their creativity. For Libby “Art is less a creation and more an allowing.” Students need that space where they are allowed to create. And particularly here at Michigan Tech where most pursue studies outside of music. “Students here get opportunities to play they would never get anywhere else.” It makes her feel like an ambassador.

Libby loves finishing a piece. When she starts a piece, she never really knows how it is going to go. Seeing it come together is really satisfying. For example, Libby was asked to write a piece to commemorate the 200th anniversary of Frederick Law Olmsted’s (social reformer and founder of American landscape architecture) birth. Given her love of Michigan, she chose to compose a piece about Belle Isle, a park in Detroit designed by Olmsted. While doing the research, she learned Olmsted quit the project. Instead, she decided to focus on the native wildflowers Olmsted incorporated into his landscape designs. It became “Beauty of the Fields.” Listen to Libby talk about Belle Isle and “Beauty of the Fields.”

Finishing To What Listens was a bit of a challenge for Libby. Getting musicians together to rehearse and record in a studio during a pandemic was never going to be easy. However, Libby was patient and determined. And now she can add finishing To What Listens to the list. We cannot wait to hear what new sounds Libby creates and adds to her list of created works.

Michigan Tech Music Presents Old World, New World Concert with Keweenaw Symphony Orchestra on April 22

Michigan Tech Music will present Old World, New World, performed by the Keweenaw Symphony Orchestra (KSO) at 7:30 p.m. on Saturday, April 22, 2023, at the Rozsa Center for the Performing Arts. This concert will also stream live for faraway KSO and Michigan Tech Music lovers.

The finale for the orchestra’s 2022/2023 “Season of Premieres,” Old World, New World features the world premiere of Kalaupapa, Music Director Joel Neves’ own work for orchestra. The deeply personal and moving composition is dedicated to Neves’ Native Hawaiian ‘ohana from the “old world” and features Hawaiian sounds including the charm of a ukulele and the call of conch shells.

“My Hawaiian ‘ohana contracted leprosy and were quarantined for life in the government-sanctioned Kalaupapa leper colony on Molokai. Their lives were pain-filled but joyous,” says Neves. ” I wrote a symphonic tone poem that depicts their pain and joy in equal measure, with the joy winning out in the end. Kalaupapa is a kaleidoscopic work for symphony orchestra, ukulele, guitar, and conch shells that paints the lives of my beautiful ancestors. Having recently exited a quarantined existence, I think our patrons will find Kalaupapa to be a compelling, close-to-home experience.”

The concert also explores the “new world” experienced by Czech composer, Antonin Dvorak, when he first visited America, resulting in his nostalgically beautiful New World Symphony. The concert features another piece by Dvorak, Carnival Overture, and Ballet music from Charles Gounod’s Faust.

Under the direction of conductor Joel Neves, the Keweenaw Symphony Orchestra is comprised of talented musicians from Michigan Tech and the surrounding community. The orchestra has established itself as a cultural asset to the region, presenting high-quality classical and contemporary music performances throughout the year.

“Our concert theme is Old World, New World, represented by “old” Hawaii and “new” America. Dvorak’s New World Symphony–inspired by his travels to America–is one of the most popular symphonies in the world, a tour-de-force for symphony orchestra that includes the famous “Goin’ Home” theme in the second movement,” Neves says. “It’s an exciting concert program that will take the audience on a thrilling symphonic adventure.”

Tickets for the public are available online, by calling 906-487-1906, or the Rozsa Box Office from 11-1 p.m. Monday through Friday or for 1 hour before shows. Michigan Tech Students can reserve free Experience Tech tickets online, and Student Rush will be available at the door. Prices range from $5 for youth under 18 to $19 for adults.

For more information about Michigan Tech Music and the Keweenaw Symphony Orchestra, visit www.mtu.edu/vpa/music.