Category: Announcements

The Rozsa Presents Christmas Carol from Emmy-Winning Manual Cinema

In pandemic-times, the arts become even more creative. Direct to your home, the Rozsa Center for the Performing Arts brings an imaginative Christmas Carol blending innovative storytelling, puppetry, cinema, and live performance. Streaming Thursday – Sunday (December 17-20).

The Rozsa Center brings original, creative, groundbreaking arts to the Keweenaw, whether audiences are in person or online. In that tradition, we are proud to host the world premiere live stream of Christmas Carol by Manual Cinema, an award-winning artistic company that has pushed the art and crafts of filmmaking, puppetry, and live performance in an exciting and breathtaking new artistic direction. In this world premiere online event created for audiences of all ages, interdisciplinary performance collective Manual Cinema takes on Charles Dickens’s holiday classic with a visually inventive adaptation made to broadcast directly to your home.

There will be four live showings. Each performance will only be live at the advertised times:

  • 8 p.m. Thursday (December 17)
  • 8 p.m. Friday (December 18)
  • 4 p.m. Saturday (December 19)
  • 4 p.m. Sunday (December 20)

For tickets visit mtu.edu/rozsa.


Superior Wind Symphony Presents “Reparations 2,” a Virtual Concert

The Rozsa Center for the Performing Arts and the Department of Visual and Performing Arts present a virtual streamed video concert by the Superior Wind Symphony (SWS), titled “Reparations 2,” planned for 7:30 p.m. Saturday, December 5.

Led by Michigan Tech’s director of bands Mike Christianson (VPA), the title surrounds the theme of “little-known and under-recognized Black American composers in history.”

The concert will feature the Superior Wind Symphony in a streamed video concert of music by all African-American composers from the 1700’s to the present.

According to Christianson, “Our concert, the second in a series of four that will be performed along the theme of ‘Reparations’, will feature music, played in a somewhat socially distanced way by the members of the Superior Wind Symphony, that represents the music of black and other minority composers who have not received either the attention or recognition of white composers. This music will be from roughly 1700 to now, and will all be wonderful, whether you’ve heard of the composers or not. Concerts will be made available via online video streams, as they are ready.”

This concert is free and open to the public, and the “view/stream link” can be accessed on the Rozsa Center website.


Rozsa Center Presents Comedian Matt Bellassai Live Streaming Saturday

It’s time for all of us to laugh a little — or a lot. Everyone is invited to attend a live-streamed stand-up comedy event with Matt Bellassai live, at 7:30 p.m. Saturday, November 14th.

According to Rozsa Programming Director Mary Jennings, “If ever there was a perfect time when we all need a little levity in our lives, now is it. I’m happy the Rozsa can provide a comedy act, even virtually, at this moment in time.”

Bellassai is a writer, stand-up comedian and 2016 People’s Choice Award winner for Favorite Social Media Star, which, he says, remains his only real accomplishment, besides graduating fourth in his class in high school and losing an election for student body president in college.

After the success of his BuzzFeed web series, “Whine About It,” Matt embarked on a solo stand-up career, performing to sold-out audiences around the United States and at least one disastrous not-sold-out audience at a casino in Palm Springs, California.

He is the host of the podcast “Unhappy Hour.” Born and coddled in the suburbs of Chicago, he currently lives the poor gay man’s version of Sex and the City, with none of the sex, fashion or friends.

He will almost definitely die alone. This event is recommended for a PG-13 audience, with mature content and subjects.

To Register: Please click here.

This activity is supported by the Michigan Council for Arts and Cultural Affairs.

For the latest news and events, please join our Rozsa newsletter, check our website and Facebook page frequently, and stay informed as we announce new events each week.


A Haunted Drive Thru at the Quincy Mine Ruins!

A Haunted Drive Thru

The Department of Visual and Performing Arts and the Quincy Mine Hoist Association announce a spooky Halloween collaboration, “A Haunted Drive-Thru at the Mine”. It’s taking place Thursday, October 29 through Saturday October 31 at the Quincy Mine Ruins.

Scheduled times are 7 to 10 p.m. each evening. The cost is a donation that can be made at the entrance to the drive-through at the mine.

According to Kent Cyr (VPA), “We’ve got a multi-layered project in the works, with built and lit scenic elements out in the mine ruins, and original scary podcast/stories produced by the Tech Theatre Company. The sounds will play on a long loop broadcast over a low-power FM transmitter. As people drive the ruins along the path marked out, they can tune their radios to the ‘Haunted Mine Drive-Thru’ Halloween broadcast.”

 Proceeds benefit the Quincy Mine Hoist Association.


KSO Presents a Special Streamed Halloween Concert Saturday: “Trolls and Cowboys”

The Keweenaw Symphony Orchestra (KSO) under the direction of conductor Joel Neves, presents “Trolls and Cowboys” in a special streamed concert on Halloween, Saturday, October 31, at 7:30 pm. Spooky troll music is featured in Grieg’s fantasy horror masterpiece, “In the Hall of the Mountain King”. Aaron Copland’s film music for the 1949 Hollywood western, “The Red Pony”, celebrates cowboys, circuses, and the American frontier.  Access the video stream by clicking on the “View/Stream” button in the Trolls and Cowboys event listing, or for a more interactive experience, visit the Rozsa Facebook page and look for the Trolls and Cowboys Livestream at the start of the event.

This video concert is free and open to the public.

According to Neves, “I feel excited and blessed to make music again with this wonderful orchestra during the worldwide pandemic. Sublime music inspires the soul and binds communities together – it changes lives. Join us online for some beautiful music as the KSO approaches its historic 50th anniversary!”

Founded in 1970, the Keweenaw Symphony Orchestra is the Upper Peninsula’s oldest orchestra. The KSO is a college-community ensemble comprising Michigan Tech students, faculty and staff, and community musicians. Most of the musicians pursue something other than music as a career, with engineers, scientists, mathematicians, educators, and retirees filling the roster. Students occupy about 60 percent of the orchestra; none are music majors.


Hero City: Documentary Photography by Meghan Kirkwood

The Department of Visual and Performing Arts, the Rozsa Center and Pavlis Honors College announce the fall gallery exhibition, Hero City: Documentary Photography by Meghan Kirkwood. The exhibit features a collection of silver gelatin and inkjet photographs of modern Mongolia.

The images capture the unique and storied history of Mongolia’s capital city, Ulaanbaatar, its transition through economic and cultural change – and the rich and thriving culture that animates this young Asian nation.

This exhibit is presented in collaboration with Michigan Tech’s Pavlis Honors College and the D80 Conference, where Kirkwood will give the keynote address.

The title “Hero City,” refers to the chosen name for this urban center before pressure from soviet activists led to its renaming, Ulaanbaatar (city of the Red Hero). Mongolia’s history is long and complex, and most recently marked by its transition from communism to democracy following the fall of the Soviet Union. This transition was guided by international agencies such as the International Monetary Fund, the World Bank, and the Asian Development Fund, but the nation’s swift entry into a market economy has brought many challenges for its citizens, in spite of optimism from outside economists who view the country as a “global growth generating” nation. Mongolia offers a prescient look at the disconnect between prescriptive policies and the cultural and political realities that limit their success. Kirkwood’s images seek to capture these tensions, and to draw attention to Mongolia’s vibrant culture.

Kirkwood is an assistant professor at Washington University in St. Louis, MO. Her photography has been exhibited throughout the United States, Europe, and South Africa. She holds an MFA in Photography from Tulane University, and a PhD in Art History from the University of Kansas. w ww.meghankirkwood.com.

The exhibit will run from Monday, Sept. 28 through Saturday, Nov. 14. Works of art are also hung in several campus buildings and can be seen through a self- guided walking tour.

Gallery hours:

  • Monday – Friday — 8 a.m. to 8 p.m.
  • Saturday — 1 to 8 p.m.

Walking tour hours:

  • Monday – Friday — 8 a.m. to 5 p.m.

Kirkwood will give her online D80 keynote address at noon on Friday, Oct. 2, and an online gallery talk on at 5 p.m. Saturday, Oct. 3. A tour map, Zoom links, and more details to all related Hero City and D80 Conference events can be found on the Rozsa Center website.

This program is partially funded/sponsored by the Visiting Professor Program which is funded by a grant to the Office of the Provost from the State of Michigan’s King- Chavez-Parks Initiative. 

For the latest news and events, please join our Rozsa newsletter, check our website and Facebook page frequently, and stay informed as we announce new events each week.


Music in the Mine Virtual Concert Friday

The Rozsa Center for the Performing Arts and the Department of Visual and Performing Arts, in partnership with the Quincy Mine Hoist Association, present a virtual streamed concert titled “Music in the Mine at 6 p.m. Friday (Oct. 9). 

Incredible acoustics, exciting performances and contemporary music come together live in the beautiful setting of the historic Quincy Mine Hoist building.

The concert features performances by Pat Booth on saxophone, Adam Meckler (VPA) on trumpet, Adam Hall on cello and the conScience Chamber Singers under the direction of Jared Anderson (VPA) premiering a new composition by Stephen Rush. 

Other works on the program are by Pat Booth, Sofia Gubaidulina, and John Cage. There will also be an interactive piece titled “Tuning Meditation,” by Paulina Oliveros. 

This concert is free and can be streamed live at mtu.edu/rozsa


Call for Actors: Auditions for Play Miasma

Auditions for Tech Theatre’s Eric Samuelsen’s play Miasma, a story of enduring love’s struggle with selfish desire, will be held by appointment on the following dates and times:

September 20, 2-5pm and 7-10pm – Rozsa Stage
September 21 and 22 , 7-10pm – Rozsa 120 (Choir Room)

Please enter through the Rozsa Stage door next to the loading doors. Email amsouthg@mtu.edu for rehearsal appointment.

Auditions will be by “cold” readings. Callbacks are planned.

When you come to audition, please wear a closed-tight mask, and use hand sanitizer when you come in and when you leave. Observe social distancing within the audition space.

This first round of auditions will last about 30 minutes. The cast consists of Claire, who wrangles her feisty and stubborn father, Ben. Ben holds the power of the family purse over his wife and children. His sons abandoned him and depend on Claire to speak for them. His other daughter, Beth, is his favorite; she follows his pursuit of wealth. Ben has left his wife, Liz, who weeps for the old west, in favor of Liza, a strong woman, who knows what she wants. Jorge, the ranch manager, is trapped between the family and the illegal aliens who work in Ben’s enterprises.

The play calls for 4 women and 2 men.

The production will be streamed from the Rozsa Center facilities at 7:30pm, December 10-12, 2020. The play will be captured on video in Covid-19-compliant recording studios and spaces.


Online Sculpture Walk

Outside – apart – together, the Visual and Performing Arts Outdoor Sculpture class’s online sculpture exhibit, opens today. The exhibit is an online sculpture walk, and it features work by eight student artists: Sarah Arnold, Mykaela Cayemberg, Mara Hackman, Olivia Hohnholt, Erin Mauk, Tristan Robb, Zoie Schafer, and Michael Stock. The students’ major disciplines include Wildlife Ecology and Conservation, Theatre and Entertainment Technology, Medical Laboratory Science and Computer Engineering.

Students in the class, instructed by Lisa Gordillo, found inspiration for their works of art from many different places. Erin Mauk’s sculpture, “Preserving Beauty,” grew from a quote by ecologist Aldo Leopold. Mara Hackman’s work of art re-envisions Alice in Wonderland as a commentary on mental health. Tristan Robb, who’s projects were frequently inspired by the locations where they were to be installed, chose an “anxiety-inducing” space, and sought to make it more welcoming.

Students spent part of the class developing their creative process, and studying a range of artists and working styles. Artist Michael Stock says, “As I developed my creative process throughout the semester, I was learning to strike a chord between pondering my ideas, playing around, and trying to act on an idea.” It wasn’t without its challenges! Zoie Schafer created a ring of handcrafted bowls, and “there was a moment when I was setting the sixth bowl out in the sun to dry and realized there were only five. My dog had stolen the smallest bowl and eaten all of the wheatpasted paper off of it, literally eating my homework.”

The exhibit will remain online through September 1st.  Visitors may also wish to see the class gallery, where works of art from the semester are still on display. Individual projects are also featured on this VPA blog


Gordillo’s Home Studio Featured

Lisa Gordillo’s home studio is featured in a video collection created by SooVAC, The Soo Visual Arts Center in Minneapolis, Minnesota. The video was created by SooVAC, “as a way of staying connected in a time where everything seems so far away.” Twenty-four artists’ workspaces, in the U.S. and abroad, are featured. The Soo Visual Art Center is a nonprofit art space whose mission is to connect the Minneapolis community with fresh, under-represented, provocative art. More of Gordillo’s work can also be seen on her website.