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“Sexual Perversity in Chicago” Thursday – Saturday

Published February 22, 2017

Announcements

Michigan Tech Theatre Company’s production of David Mamet’s award-winning “Sexual Perversity in Chicago” continues this weekend.

With performances in the McArdle Theatre, the play is presented as a hilarious on-stage “game show,” using mature and graphic language to reveal the awkwardness, heartache and humor of American sexual behavior.

Performances are 7:30 p.m. tomorrow, Friday and Saturday (Feb. 23-25), in the McArdle Theatre. Tickets are available online, by phone 7-2073, in person at the Central Ticketing office in the SDC and an hour before show time at the McArdle box office.

Play to be Presented in Game Show Format

Published February 15, 2017

By Heather Powers

Theatre

David Mamet’s award-winning play “Sexual Perversity in Chicago” is given an inventive new staging by the Michigan Tech Theatre Company.

Opening Thursday in the McArdle Theatre, the play will be presented as a hilarious on-stage “game show,” using mature and graphic language to reveal the awkwardness, heartache and humor of American sexual behavior.

The play opens tomorrow night, with additional performances Friday, Saturday and Feb. 23-25 at the McArdle Theatre in the Walker Arts and Humanities Center. Performance time is 7:30 each evening.

According to Director Roger Held, the Obie (off-Broadway) Award-winning play “explores the nature of sexual relationships: Their awkward, unreasonable natures and how humans stubbornly cling to them in spite of heartache.”

In a fun twist to the game show theme, Tech Theatre is collaborating with Student Health and Wellness to help launch the new campus health initiatives, “Let’s Talk About Sex” and “Sex-versations.”

Part of the play will present “commercial breaks” with information about the two health initiatives. The commercials were created by Wellness students, staff and Held. Wellness will also have a table with information about the initiatives set up in the lobby.

Tickets are on sale now, $13 for adults, $5 for youth and no charge for Michigan Tech students with the Experience Tech Fee. Tickets are available online, by phone 7-2073, in person at the Central Ticketing office in the SDC and an hour before show time at the McArdle box office.

“Sexual Perversity in Chicago” Opens Thursday

Published February 13, 2017

By Heather Powers

The Michigan Tech Theatre Company presents David Mamet’s award winning play “Sexual Perversity in Chicago.”

The play, which explores the nature of sexual relationships, will be performed Thursday, Friday and Saturday, with additional performances Feb. 23-25 in the McArdle Theatre on the second floor of the Walker Fine Arts and Humanities Center. Performance time is 7:30 p.m. each evening.

First produced in 1974, “Sexual Perversity in Chicago” continues to speak to generations of young adults in the unyielding clutches of sexual inelegance.

According to the New York Times, the play “takes funny and painful digs at the fantasies and distances of the contemporary sexual game.”

It has twice been adapted to film, “About Last Night … ” (1986) starring Rob Lowe and Demi Moore and “About Last Night” (2014) with Kevin Hart and Regina Hall.

The Tech Theatre production of “Sexual Perversity in Chicago” is under the direction of Roger Held. Tickets are $13 for adults, $5 for youth and no cost for Michigan Tech Students with the Experience Tech Fee.

Tickets are available online, at the Central Ticketing Office in the Student Development Complex and by phone, 7-2073.

Friedrich finalist in Distinguished Teaching Awards

Published January 25, 2017

By Heather Powers

The William G. Jackson Center for Teaching and Learning seeks input for its annual Distinguished Teaching Awards, which recognize outstanding contributions to the instructional mission of the University.

Based on more than 50,000 student ratings of instruction responses, ten finalists have been identified for the 2017 awards. The selection committee is soliciting comments from students, staff, faculty and alumni to aid in deliberation.

Mary Carol Friedrich is a finalist in the Associate Professor/Professor Category

Russian National Ballet Theatre at Rozsa

Published January 16, 2017

By Heather Powers

Theatre

The Rozsa Center for the Performing Arts presents two magical nights of incomparable Russian ballet. Direct from Moscow, the Russian National Ballet Theatre, featuring fifty of Russia’s finest dancers, will perform three timeless ballet pieces, “Romeo and Juliet” and “Carmen” on Tuesday, Jan. 24 and “Giselle” on Wednesday, Jan. 25. Shows start at 7:30 p.m. each evening.

According to Rozsa Center Director of Programming Mary Jennings, “… the Russian National Ballet Theatre is an institution in Russian Ballet. Legendary Bolshoi principal dancer Elena Radchenko, the founder of the Russian National Ballet Theatre, has focused the company on upholding the grand, national tradition of the major Russian ballet works.”

On the first of two nights, they will perform the full-length “Romeo and Juliet” by Sergei Prokofiev based on Shakespeare’s play. Performed in one act, the ballet tells the story of Romeo and Juliet, the quintessential star-crossed lovers. Prokofiev’s music is paired with original choreography by Marius Petipa, the “godfather of Russian ballet.”

In the second act they will perform “Carmen,” a full-length ballet also in one act. Music by Rodion Shchedrin based on the classic opera by Georges Bizet with choreography by Alberto Alonso. Carmen, a passionate, free-spirited woman, is caught in a love triangle between Don José and a bullfighter. The impetus and cause for the creation of the ballet Carmen was the cherished dream of the celebrated Russian ballerina Maya Plisetskaya to depict the highly strung and riveting character of Carmen in a ballet.

On the second evening, the Russian National Ballet Theatre performs the full-length, tragic ballet “Giselle,” about a peasant girl who dies of a broken heart after discovering her lover is betrothed to another.

“Giselle” was composed by Adolphe Adam, and is a romantic jewel of Petipa. “Giselle” was first seen in Moscow in 1843, just two years after its creation in Paris, and a year after it was staged in St. Petersburg.

Auditions for “West Side Story” Next Week

Published January 16, 2017

By Heather Powers

Announcements

The Tech Theatre Company will hold auditions for “West Side Story” next week. Auditions for singing, dancing and chorus roles will be held from 7 to 10 p.m. Monday (Jan. 16) and Wednesday (Jan. 18) in Rozsa 120 (choir room).

Auditions for non-singing roles is 7-10 p.m. Tuesday (Jan. 17) in Rozsa 120.

To be assigned an audition slot, you must fill out a registration form.

You may sing a song from the show, or from another similar style production. Limit your selection to three minutes. An accompanist will be provided. If you sing something other than West Side Story, bring a copy of your music for the accompanist.

Wear comfortable clothes for dancing. You will sweat. If you have character shoes, bring them, otherwise sneakers are appropriate.

Callbacks will be Thursday (Jan. 19). A callback list will be sent out via email to all who auditioned following the Wednesday evening auditions.

Play written by Tech Student Advances to Regional Festival

Published December 14, 2016

By Heather Powers

A play written by a Michigan Tech student has advanced to the regional finals of a national competition. “Leaving,” by third-year student Sarah Jo Martens, of Hortonville, Wisconsin, was chosen to participate in the final round of the Region III Kennedy Center American College Theatre Festival.

Martens is an environmental engineering major with a minor in theatre. She is a member of the Pavlis Honors College.

“Leaving,” inspired by Marten’s relationship with her sister Rachel, will be given a fully-staged reading, along with the four other finalists at the Region III Festival, Jan. 10-15 in Indianapolis.

College theatre students from schools in Michigan, Wisconsin, Illinois and Indiana will attend the Region III festival to compete in acting, playwriting, design, theatre technology, stage management and other categories.

Two plays from the Region III competition will advance to the Finals at the Kennedy Center in Washington, D.C. in April where they will again be given a reading.

by Visual and Performing Arts

Theatre Auditions Tonight

Published December 1, 2016

By Heather Powers

Theatre Auditions Tonight

Tonight is the final night for the Tech Theatre Company’s public auditions for David Mamet’s “Sexual Perversity in Chicago.”

Auditions will be held in the McArdle Theatre on the second floor of the Walker Arts and Humanities Center. Auditions are set to begin at 7 p.m. with actors asked to arrive at 6:45 p.m. Call backs as needed will be held tomorrow.

No preparation or previous acting experience is required. Rehearsals begin Jan. 9.

Aquila “Murder on the Nile” at the Rozsa

Published October 21, 2016

By Heather Powers

Start with air raid sirens. Add WWII BBC broadcasts. Sprinkle on morse code and British actors during the time of Nazi-occupied Europe and you’ve got the 25th Anniversary National Tour of the acclaimed off-broadway Aquila Theatre Company, who are bringing Agatha Christie’s “Murder on the Nile” to the Rozsa Center stage at 7:30 p.m. Thursday (Oct. 27).

“Murder on the Nile,” by one of the greatest mystery writers in world literature, features a masterful whodunit and Aquila’s clever signature style. Aquila’s production is set in the early 1940s during World War II at the BBC Home Service studios in London. Air raid sirens were a regular occurrence in London during this time as Great Britain was on constant alert to bombings by Germany. Members of the theatre troupe have arrived and are preparing for a live radio broadcast of “Murder on the Nile,” but another air raid has prevented the full cast from assembling and yet, the show must go on—somehow.

In Agatha Christie’s own staging of her famous novel, “Death on the Nile,” a paddle steamer is cruising the legendary Nile River in 1940’s Egypt. The passengers aboard are abuzz when the famous heiress, Kay Ridgeway, and her penniless new husband, Simon Mostyn board the ship.

Class, money, and reputation are all at stake in one way or another for the passengers and before they know it deceit, theft and murder quickly make waves on the river.

Spurned lover Jacqueline De Severac, protective uncle Canon Pennefather, a troubled German Doctor and a host of colorful and mysterious characters add to the drama and suspense of this classic Agatha Christie mystery.

Who can be trusted? Who holds the truth? Who is a suspect? Whodunit? Aquila Theatre brings its innovative touch to this deliciously dangerous murder mystery, with brilliant direction, superb acting, thrilling physicality and stunning designs. Aquila’s “Murder on the Nile” will be a classic all over again.

Tickets are $22 for adults, $10 for youth, no charge for Michigan Tech students with the Experience Tech Fee. Tickets are available by phone at 7-2073, online, in person at the SDC Central Ticket Office or at the Rozsa Box Office the evening of the performance. (Note: the Rozsa Box Office only opens two hours prior to performances).

By Bethany Jones

Tech Theatre’s “Silent Sky” Opens Tomorrow

Published October 12, 2016

By Heather Powers

Michigan Tech Theatre Company’s first production of the new academic year, “Silent Sky,” opens tomorrow at the McArdle Theatre in the Walker Arts and Humanities Center.

In “Silent Sky” playwright Lauren Gundeson tells the story of astronomer Henrietta Swan Leavitt. The play blends the discovery of how to measure the universe with the essence of the discoverer’s life story.

Set against the turmoil of the cry for social justice at the beginning of the 20th century, the chronicle of Leavitt counterpoints the power of a passion for work with the desire for love and family.

Join Tech Theatre for a play that contemplates the life, challenges and contributions to our understanding of the universe. Leavitt discovered the first way of measuring the universe, to demonstrate that heavens were larger than the Milky Way, the limit of creation in her day.

“Silent Sky,” will be performed six times over two weeks, Thursday – Saturday, October 13 – 15 and again Oct. 20 – 22, in the McArdle Theatre. Performance time is 7:30 p.m. each night.

According to Director Roger Held, “In spite of the confusion of everyday life with family, making a living, paying taxes, enduring schedules, surviving deadlines, coping with aged vehicles, navigating love and sex, being immersed in political realms of all kinds (science, arts and academia included) peopled with an over-abundance of unpleasant and damaged souls, we are buoyed by the passion for doing difficult things: Henrietta Leavitt is one of us; persons who throw a net, gathering in pieces of some realm of endeavor, envisioning the pattern of relationships within the flotsam they’ve caught and teasingly calculating an understanding of some small piece of a greater puzzle.”

Tickets are on sale now, $13 for adults, $5 for youth and no charge for Michigan Tech students with the Experience Tech fee. Tickets are available by phone at 7-2073, online at Rozsa.mtu.edu, in person at the Central Ticket Office in the Student Development Complex or the night of the event, one hour before show time, at the McArdle Theatre Box Office.

by Bethany Jones

Category: Theatre