Author: Samantha Canevez

RTC Research Forum: “Rediscovering Ownership and Agency: Shifting from Private to Public Performance” Lior Rosenfeld

What:

The RTC Research Forum, formerly known as the RTC Brown Bag, is a colloquium series sponsored by the Rhetoric, Theory, and Culture graduate program in the Michigan Tech Department of Humanities. Each month, faculty and students in the program present research on a wide range of topics. The forum offers an opportunity for colleagues and peers to discuss current research, prepare for formal conference presentations, and for students to receive feedback on presentation practices.

Abstract:

The claims made by technology companies regarding the advancement of autonomous machines raise significant concerns about their implications for democratic governance. A machine that is capable of independent thought and action poses a potential threat to democratic judicial and political systems, as it undermines the autonomy of the people. Drawing on phenomenological insights, I will first clarify why some of these concerns may be misplaced by emphasizing that autonomy must be achieved rather than presupposed. I will then argue that the recent deployment of Artificial Intelligence (AI) systems highlights that ownership and agency are constituted through public speaking rather than being intrinsically tied to autonomy or self-rule. While the former gives the power to begin anew, the latter is marked by territoriality, exploitation, and coercion.

An autonomous entity supposedly possesses an identity, always returns to itself since it thinks—calculates the world independently of social-political engagements. As such, it remains unaffected by contingency, allowing it to justify its beliefs and actions through established rules. Additionally, autonomy presupposes agency, as a self-ruling entity is necessarily the cause of its own actions. And as Jacques Derrida explains, since the people in a democracy are autonomous or self-rulers, they have the force to determine the law (Derrida, 2025, p.13). In contrast, in our liberal tradition, which dates back to John Locke, democratic citizens are seen as individuals or natural entities, and therefore free from legal constraints. This freedom grants them the right to own property and other natural rights, empowering them to resist any claims of ownership made by authorities. However, with the rise of AI systems, individuals in democratic nations are increasingly losing their natural rights. The reduction of experience to thinking—calculating across all sectors by AI systems violates individual rights, for instance, by scraping texts without the authors’ consent. Moreover, due to the widespread use of AI systems, nation-states can no longer effectively protect copyrights. As Derrida argues in the context of cloning, techno- scientific reason undermines today its foundation—the nation-state, which is responsible for distributing rights and protecting the dignity of its citizens (Derrida, 2005, p. 146).

The deployment of AI systems increasingly blurs the distinctions between nation-states and private technology companies. This phenomenon indicates a potential erosion of the nation-state’s power in contemporary governance and social organization. Nevertheless, the support that nation-states extend to technology companies developing artificial intelligence systems that exploit and oppress their citizens is not merely a historical phenomenon; rather, it reflects an intrinsic characteristic of any entity that claims autonomy. As the political writings of Derrida and Hannah Arendt illustrate, autonomy is constituted by private performances within the household, which can therefore be authoritative, ethnic, and exploitative. However, Derrida’s deconstruction of democracy illustrates that citizens can achieve democratic autonomy by responding to the imperative of justice and, thereby, superseding familial, natural, and irrational laws.

According to Derrida, the conflict between the rule of law and freedom within modern democracy is irreconcilable. The question of what a democratic citizen is — whether a subject of the law or a free individual — remains undecided. This undecidability allows citizens to face one another, constituting an ultra-political experience. Within this pluralistic and uncertain realm of meaning, complete autonomy—independence from contingency is unattainable. As a result, the concept of equality under the law, the meaning of justice in a democracy, turns unfounded, uncovering justice as fundamental. Since justice cannot be ruled, justice calls democratic citizens to rule, thereby achieving autonomy.

However, claims for justice lack the necessary political power to effectively resist an AI regime. According to Arendt, public speaking or public performances enact intersubjective political experiences which are fundamental to selfhood and agency, and therefore the meaning of the power of the demos. Public speaking is non-territorial, allowing citizens to appear before others unconditionally and to act uniquely. Moreover, since public performances are contextual, the self always appears anew, simultaneously generating the past and the future. The temporality of shared existence, which Arendt refers to as natality, constitutes the process of narration, calling to keep a record. Thus, public performance is agonistic—pluralistic, giving rise to new senses of self and agency, in contrast to private performance, which constitutes self-mastery and, therefore, is antagonistic—divisive.

Who:

Presented by RTC PhD canditate Lior Rosenfeld.

Lior Rosenfeld obtained an M.A. in Philosophy from the New School in 2020. Currently, Lior is a fourth-year Ph.D. Candidate at Michigan Technological University. In his research, Lior investigates how the phenomenological description of the life-world alleviates the tension between democracy and science as illustrated by contemporary examples such as climate change denial and vaccine skepticism.

All are welcome to attend!

When:

Friday, December 5, 2025

Where:

Petersen Library, Walker Arts & Humanities Center

RTC Research Forum: “Language and Artificial Understanding: Stress Tests for the Uniqueness of Human Intelligence” Ronald Klingler

What:

The RTC Research Forum, formerly known as the RTC Brown Bag, is a colloquium series sponsored by the Rhetoric, Theory, and Culture graduate program in the Michigan Tech Department of Humanities. Each month, faculty and students in the program present research on a wide range of topics. The forum offers an opportunity for colleagues and peers to discuss current research, prepare for formal conference presentations, and for students to receive feedback on presentation practices.

Abstract:

This essay concerns contributions made by David Braine  in Language and Human Understanding (2014) and their bearing on contemporary discussions of artificial intelligence. The first is his proposal that human linguistic capacity has the shape of sense as understood by James J Gibson, where senses must be understood in their relation to the organism as a whole, and that organism must be understood in relation to its environment. The second is his understanding of Wilhelm von Humboldt’s famous line that “language makes infinite use of finite means,” where he takes the infinity to mean indefinite, contrary to the more common recursive interpretation. These contribute to a third regarding malleability and the brain, where its plasticity reaches such an extent that pragmatics and semantics begin to determine, rather than be determined by, neurological structures. Braine takes this malleability to be distinctively human. From the view of 2014, he argued “it will still never be possible for the statements of linguistic science to enable one to calculate or compute the linguistically public significance or sense of the utterances we make” (149). Here I assume Braine’s three contributions, but put pressure on his proposition of computational-impossibility in light of the advances in artificial intelligence in the years since. From the view of today, Braine’s account of malleability reads as anticipatory of LLMs. I argue that the primary intuition-pump he uses to explain malleability cannot differentiate what’s distinctly human from contemporary machine learning attempts. I question whether it matters whether the significance is computable, or if probabilistic attempts can approximate said significance to an arbitrary degree; I argue Braine’s view can defend against this. I also consider advancements in embodied and multimodal reasoning, and whether they can imitate the environmentally oriented nature of speech in Braine’s proposal; I consider this the strongest possibility for defending the uniqueness of language.

Who:

Presented by RTC PhD student Ronald Klingler.

Ronald Klingler is a PhD student in the Rhetoric, Theory, & Culture program. He considers the positions around the uniqueness of human language use, and evaluates them in light of recent advances in artificial intelligence. 

All are welcome to attend!

When:

Friday, October 24, 2025

Where:

Petersen Library, Walker Arts & Humanities Center

RTC Research Forum: “Vital Necroscenes: Internet Memes as Visual Tools for Environmentalism” Samantha Stein-Brevitz

What:

The RTC Research Forum, formerly known as the RTC Brown Bag, is a colloquium series sponsored by the Rhetoric, Theory, and Culture graduate program in the Michigan Tech Department of Humanities. Each month, faculty and students in the program present research on a wide range of topics. The forum offers an opportunity for colleagues and peers to discuss current research, prepare for formal conference presentations, and for students to receive feedback on presentation practices.

Abstract:

Understanding how we can approach environmentalism from a humanities perspective calls for an interdisciplinary approach that encompasses not only our place in the world but everything’s place in the world—human and non-human. There is no question about the cruciality of a comprehensively ethical and conscious means of interacting with the planet. There have been multiple attempts and approaches to a better method to the human ways of existing on this planet. Recognizing how to course correct is easier said than done, however. This concept is large and, in and of itself, sublime. The visual analysis offered in this work will specifically work to break down and interpret common, widespread Internet meme formats, thus presenting how they can evoke a need for environmentalism in daily life. The pieces guiding my research are the “This is fine” dog as well as a variant of another common Internet meme, Spiderman(s) pointing at himself. Though these works are ambiguous and can be used in multiple contexts, the power of their messages can be used to approach a call for better environmentalism. Additionally, it reiterates the very real threat of contemporary climate disasters which can thus be used to reexamine the power and vitality expressed within these Internet memes. Guiding my definition and understanding of the vital necroscene, I specifically connect Immanuel Kant’s Critique of Judgement with Jane Bennett’s Vibrant Matter as well as Jill H. Casid’s “Necrolandscaping”. Both Kant, Casid, and Bennett emphasize the limitlessness in life and in death. Additionally, Kant writes about the judgment that is assigned to Nature. Nature, he insists, is viewed as this aimless mechanism—though it should not be that way. Taking this notion of purposiveness, I connect it directly to the attempts made by vital materialism and the necroscene to dismantle and trouble the black/white binary of life. The goal of vital materialism is to present the purposiveness within non-human phenomena. Further, these concepts connect to demonstrate that Nature is an assemblage of multiple and boundless human and non-human actants—to borrow from Bruno Latour. The presented research aims to demonstrate ways Internet memes can evoke a vital necroscenic approach, creating more awareness for the call to environmental humanities. In understanding the vitality of Internet memes, we can develop an understanding and potentially even an increased appreciation for the interconnectedness of both human and non-human lives.

Who:

Presented by RTC PhD student Samantha Stein-Brevitz.

Samantha’s research aims to explore the connections between Internet memes and the necrocene that is the death of the planet. Through humor, Internet memes serve as a communication tool to emphasize the vital need to recognize and act on planetary crises and assist in dismantling Nature vs Human. In an effort to evoke change, the images presented show the irony that “this is fine” and life goes on. 

All are welcome to attend!

When:

Friday, September 19, 2025

Where:

Venue changed to Petersen Library, Walker Arts & Humanities Center

What Are Humans For? Stuart Kendall, Visiting Scholar Oct. 2-3

What Are Humans For? Visiting Scholar Stuart Kendall

The Department of Humanities, together with the College of Sciences and Arts, are pleased to welcome Dr. Stuart Kendall to campus on October 2nd and 3rd for a series of presentations, classroom visits, and scholarly discussions related to interdisciplinary scholarship.

Dr. Kendall’s keynote presentation, titled What Are Humans For? will take place on Friday, October 3rd, at 4:00pm in the U. J. Noblet Forestry Building Atrium. The talk will focus on the present and future of interdisciplinary study, examining the strategies of several exemplary interdisciplinary thinkers. This public talk is free and open to all.

Leading up to this presentation, Dr. Kendall will be joined by Institute of Computing and Cybersystems guest, Dr. Ian Bogost, for a Scholar Lunch discussion on Thursday, October 2nd, at 12:15pm in the Library East Reading Room*. All are welcome.

Next we invite graduate students and faculty of the Colleges of Sciences and Arts and Computing, and across campus, to a presentation by Dr. Kendall titled We Scholars, which aims to center the human within interdisciplinary study and research. This talk will take place on Thursday, October 2nd, at 3:00pm in the U. J. Noblet Forestry Building Atrium.

Abstract for What Are Humans For?

Recent and profound technological and environmental changes have brought about a paradigm-shift in the production, consumption, and legitimation of both knowledge and know-how. These changes have in turn challenged many of our social institutions and traditional disciplines. Rather than reiterating proposals made from the perspective of a specialized discipline, this lecture will examine the strategies of several exemplary interdisciplinary thinkers whose modes of thought sought to embrace exploration and change: Ivan Illich, Vilém Flusser, and Gregory Bateson, among others. One goal will be to relocate questions of art and technics, as well as those of disciplines and institutions, in models of human experience. In response to challenge and change, the lecture pursues an interdisciplinary inquiry into human experience in order to open a methodological toolbox of strategies and tactics for conviviality.

About Stuart Kendall

Stuart Kendall is an historian of thought and media and design theorist. As a writer, editor, and translator, his books include a critical biography of Georges Bataille, The Ends of Art and Design, Gilgamesh, and a number of edited and translated volumes. He has lectured and run workshops at colleges, universities, conferences, and colloquia nationally and internationally. Teaching appointments have included the California College of the Arts, Stanford University, Boston University, and SUNY Stony Brook. As an academic leader, he created new majors, coursework concentrations, and assessment tools in interdisciplinary humanities, environmental and animal studies, and media and design history, theory, and criticism. His core interests include problems in ecological consciousness, embodiment, and communications media.

*if the East Reading room is unavailable due to ongoing classroom renovations, Scholar Lunch will take place in the U. J. Noblet Forestry Building Atrium

Modern Languages & Cultures Fall 2025 Open House

Faculty Members Laurie Corbin (French) Estela Mira Barreda (Spanish) Stephanie Rowe (German) Leyre Alegre-Figuero (Spanish) and Maria Bergstrom (Advising)

Join us for the Modern Languages & Cultures Open House on Wednesday August 20th, from 4:30-6:00 pm in Walker 120A!

 Students are invited to come with any questions they may have about Modern Language & Cultures Minors, courses, AP/IB scores, and social activities, as well as meet faculty members and fellow students. You could earn up to 9 placement credits with previous language knowledge!

We will also answer questions related to Modern Languages & Essential Education, as our courses also count towards Essential Education.

Those who have previous German or Spanish knowledge, but have not already taken the placement test may do so at this time as well, or beforehand: https://www.mtu.edu/humanities/undergraduate/modern-languages/register/.

Exception: Students who scored high on the AP or IB exam are automatically given a waiver for third-year courses; or students who are transferring a course.

Questions? Contact Leyre Alegre-Figuero lalegref@mtu.edu

Brown Bag Talk: Vamp & Godmother? Contradictions of Theda Bara and Gendered War Work

What:

Abstract:

This talk focuses on the peculiar case of Theda Bara, a Hollywood actress who became famous for her ethnic-Other “vamp” movie character and public persona. In 1918, Bara was appointed “Godmother” to the 158th Infantry Regiment from Arizona. The practice of godmothering had started early in World War I but was prohibited in France and Britain after 1915 due to suspicions of sexual misconduct between women and their “godsons,” as well as fears about its potential for espionage. When the U.S. intervened in 1917, godmothering was discouraged by the Department of War, with exceptions made for female screen idols who offered government officials a useful mechanism by which to help promote troop morale and the will to fight. Bara’s promiscuous, even adulterous persona, however, ostensibly threatened conventional morality among men and women, and the “wholesome” model of “soldier-citizen” the camps aimed to cultivate among the men. Accordingly, her films were banned in the training camps. I explore the logic of Bara as godmother through an analysis of Hollywood’s star system in the 1910s and how its discursive construction of stardom intersects with Foucault’s discussion of discourse and sexuality.  

Who:

Presented by Sue Collins, Associate Professor of Communication, Culture, and Media.

All are welcome to attend!

When:

Friday, April 11 2025

Where:

Petersen Library, Walker Arts & Humanities Center

German Club Guest Speaker Professor Thomas Werner

Join the German Club in welcoming guest speaker Professor Thomas Werner to share his experiences growing up in East Germany before the fall of the Iron Curtain. The talk will take place on Thursday, April 3 at 6pm in Fisher 130. All are welcome!

Dr. Werner is Professor of Genetics and Developmental Biology in Biological Sciences. His curiosity for living creatures began in his parents’ garden in East Germany, and developed into a lifelong passion for the natural world.

Brown Bag Talk: “Beauty, Excess, and the Grotesque in the Late-Capitalism Critique of Lauren Greenfield”, Emma Johnson

What:

Abstract:

Embracing slow cinema and focusing on women are both underappreciated approaches to filmmaking when it comes to representing the financial crisis. One filmmaker who explores the financial crisis through these underused techniques is Lauren Greenfield. In this paper, I will explore three of Greenfield’s films through the lens of theorists Jill Godmilow and Nicholas Mirzoeff to show how alternative ways of looking provide a new critique of capitalism. Typically, films on financial crises are fast paced. Juliette Feyel and Clémence Fourton’s 2019 article “Post-2008 Films: The Financial Crisis in Fictions and Documentaries” argues that 2008-crisis films are represented in specific structures and patterns. Clichéd quick cuts show phone calls, graphs, and skyscrapers. These visual depictions are limiting, often excluding how crisis affects daily life and women. An alternative approach is found in the work of Greenfield, including the films The Queen of Versailles (2012), Generation Wealth (2018), and The Kingmaker (2019). I argue that Greenfield uses beauty, excess, and the grotesque to critique late capitalism. Greenfield favors mundane daily life with long shots of mansions with neglected pools, motivational posters in a vacated office, and dog poop left on the carpet after the nannies are laid off. She pays attention to women in a sub-genre where women are largely absent and uses slow-cinema techniques in a sub-genre that mostly embraces fast-paced narratives. Interviewees who would typically be depicted in quick clips are given screen time to humanize themselves. Greenfield juxtaposes excess with relatable reasons for its pursuit, drawing attention away from subjects and toward the system that creates it, coming close to accomplishing what Godmilow terms postreal filmmaking and Mirzoeff Visuality 2. Ultimately, Greenfield invites the audience to sit with her subjects, identify with them, and begin to imagine an alternative world.

Who:

Presented by RTC PhD student Emma Johnson.

All are welcome to attend!

When:

Friday, March 28 2025

Where:

Petersen Library, Walker Arts & Humanities Center

In Praise of Football: Poetics, Aesthetics, Politics, & Identities of the Ball with Guest Speaker Daniel Noemi Voionmaa

On Friday, April 4th at noon visiting Speaker Daniel Noemi Voionmaa will be giving a public talk titled “In Praise of Football: Poetics, Aesthetics, Politics, and Identities of the Ball” in EERC 103.

This event is free and open to all. Dr. Voionmaa is Professor of Cultures, Societies, and Global Studies at Northeastern University. He will be visiting Spanish classes throughout his visit in addition to the public talk.

Abstract:

On December 18, 2022, 1.5 billion people watched the penalty kicked by Gonzalo Montiel, at Lusali Stadium in Doha, that gave Argentina its third World Cup. Probably, many more heard about it in the following days. Indeed, Qatar’s World Cup was the epitome of global sports entertainment: the world was not only one, but it was also, literally, a globe, a foot-ball. The 2026 USA-Canada Mexico World Cup is expected to surpass those numbers.

Not a long time ago, in 1930, Argentina had played its first final (without so much success: Uruguay won 4 to 2). The Estadio Centenario was packed; perhaps a few thousands listen to it on the radio (we don’t have the exact numbers), nobody watched it on TV (that happened only in 1954, and just for a few Central European countries. Color came in 1970). Many things have changed in football since that evening in Montevideo, in 1930, no doubt. However, if we were able to hear a conversation of a group of friends after a football match in 1930 and in 2025, we would be surprised how similar they are. Like in life –a comparison many times drawn—change and continuity are simultaneously present. Like life, football can be thought and analyzed from many points of view: tactics and strategies on the field, attitudes of fans in the stands, the politics it involves, a never-ending market-oriented paraphernalia, nationalist discourses, philosophical discussions – postmodern takes, existentialist reverberations, post-structuralist analyses, psychoanalytical insights–, and a myriad of cultural and artistic artifacts and productions. Football, soccer, fútbol, calcio, futebol is, as Eduardo Archetti once said, a mirror of our societies (and ourselves), but also a mask that covers and hides who we are and who we want to be.

In these remarks, I will attempt to show, using specific examples, how football has not only created a vast and multilayered imaginary, one in which politics and economics play a key role; but also that it has produced an artistic and poetic corpus that, perhaps, is as attractive as the beautiful game itself.

2025 Modern Languages Film Series Announced

Modern Languages at Michigan Tech is proud to present our Spring 2025 Film Series!

The films this year, under the theme “Dystopian Futures” will screen on consecutive Wednesdays at 7pm in Fisher 135, and are free and open to the public.

Still from "We Might As Well Be Dead showing a woman in a security uniform laying on the floor of a cramped apartment. Next to her another woman's head can be seen through the mail slot of a closed door with her hair hanging through.

We Might As Well Be Dead

Screening March 12, 2025

Sinelnikova 2022 | Germany

Security officer Anna lives with her 16-year-old daughter in a remote high-rise on the edge of a forest. The building provides its occupants a safe haven until the caretaker’s dog disappears and irrational fear spreads.

Still from the film showing a gray, dystopian landscape with a small doorway to an elevator shaft in the middle of the frame. A figure in a full-face oxygen mask walks to the left.

Aire: Just Breathe

Screening March 19, 2025

Tonos 2024 | Dominican Republic

In the year 2147, a virus as a result of a Great Chemical War has left all men on the planet sterile, bringing humanity to the brink of extinction. Biologist and scientist Tania tries to inseminate herself to ensure the survival of the human species, assisted by an artificial intelligence system called VIDA. However, everything changes when Azarias appears, a traveler with a dark past and possibly one of the last men on the planet.

An attractive young woman lays in a rectangular black tub filled with black liquid below a large half-circle window with washed-out white light shining through.

The Beast

Screening March 26, 2025

Bonello 2023 | France

In the near future the rise of AI has led to humans being deemed useless because their emotions compromise their decision-making. Gabrielle undergoes a procedure that will purify her and get rid of her emotions, a procedure which involves delving into their past lives.

Please join us for this great lineup of films from around the world!

For more information about Modern Languages minors at Michigan Tech, visit https://www.mtu.edu/humanities/undergraduate/modern-languages/