Category: Humanities

RTC Research Forum: “Rediscovering Ownership and Agency: Shifting from Private to Public Performance” Lior Rosenfeld

What:

The RTC Research Forum, formerly known as the RTC Brown Bag, is a colloquium series sponsored by the Rhetoric, Theory, and Culture graduate program in the Michigan Tech Department of Humanities. Each month, faculty and students in the program present research on a wide range of topics. The forum offers an opportunity for colleagues and peers to discuss current research, prepare for formal conference presentations, and for students to receive feedback on presentation practices.

Abstract:

The claims made by technology companies regarding the advancement of autonomous machines raise significant concerns about their implications for democratic governance. A machine that is capable of independent thought and action poses a potential threat to democratic judicial and political systems, as it undermines the autonomy of the people. Drawing on phenomenological insights, I will first clarify why some of these concerns may be misplaced by emphasizing that autonomy must be achieved rather than presupposed. I will then argue that the recent deployment of Artificial Intelligence (AI) systems highlights that ownership and agency are constituted through public speaking rather than being intrinsically tied to autonomy or self-rule. While the former gives the power to begin anew, the latter is marked by territoriality, exploitation, and coercion.

An autonomous entity supposedly possesses an identity, always returns to itself since it thinks—calculates the world independently of social-political engagements. As such, it remains unaffected by contingency, allowing it to justify its beliefs and actions through established rules. Additionally, autonomy presupposes agency, as a self-ruling entity is necessarily the cause of its own actions. And as Jacques Derrida explains, since the people in a democracy are autonomous or self-rulers, they have the force to determine the law (Derrida, 2025, p.13). In contrast, in our liberal tradition, which dates back to John Locke, democratic citizens are seen as individuals or natural entities, and therefore free from legal constraints. This freedom grants them the right to own property and other natural rights, empowering them to resist any claims of ownership made by authorities. However, with the rise of AI systems, individuals in democratic nations are increasingly losing their natural rights. The reduction of experience to thinking—calculating across all sectors by AI systems violates individual rights, for instance, by scraping texts without the authors’ consent. Moreover, due to the widespread use of AI systems, nation-states can no longer effectively protect copyrights. As Derrida argues in the context of cloning, techno- scientific reason undermines today its foundation—the nation-state, which is responsible for distributing rights and protecting the dignity of its citizens (Derrida, 2005, p. 146).

The deployment of AI systems increasingly blurs the distinctions between nation-states and private technology companies. This phenomenon indicates a potential erosion of the nation-state’s power in contemporary governance and social organization. Nevertheless, the support that nation-states extend to technology companies developing artificial intelligence systems that exploit and oppress their citizens is not merely a historical phenomenon; rather, it reflects an intrinsic characteristic of any entity that claims autonomy. As the political writings of Derrida and Hannah Arendt illustrate, autonomy is constituted by private performances within the household, which can therefore be authoritative, ethnic, and exploitative. However, Derrida’s deconstruction of democracy illustrates that citizens can achieve democratic autonomy by responding to the imperative of justice and, thereby, superseding familial, natural, and irrational laws.

According to Derrida, the conflict between the rule of law and freedom within modern democracy is irreconcilable. The question of what a democratic citizen is — whether a subject of the law or a free individual — remains undecided. This undecidability allows citizens to face one another, constituting an ultra-political experience. Within this pluralistic and uncertain realm of meaning, complete autonomy—independence from contingency is unattainable. As a result, the concept of equality under the law, the meaning of justice in a democracy, turns unfounded, uncovering justice as fundamental. Since justice cannot be ruled, justice calls democratic citizens to rule, thereby achieving autonomy.

However, claims for justice lack the necessary political power to effectively resist an AI regime. According to Arendt, public speaking or public performances enact intersubjective political experiences which are fundamental to selfhood and agency, and therefore the meaning of the power of the demos. Public speaking is non-territorial, allowing citizens to appear before others unconditionally and to act uniquely. Moreover, since public performances are contextual, the self always appears anew, simultaneously generating the past and the future. The temporality of shared existence, which Arendt refers to as natality, constitutes the process of narration, calling to keep a record. Thus, public performance is agonistic—pluralistic, giving rise to new senses of self and agency, in contrast to private performance, which constitutes self-mastery and, therefore, is antagonistic—divisive.

Who:

Presented by RTC PhD canditate Lior Rosenfeld.

Lior Rosenfeld obtained an M.A. in Philosophy from the New School in 2020. Currently, Lior is a fourth-year Ph.D. Candidate at Michigan Technological University. In his research, Lior investigates how the phenomenological description of the life-world alleviates the tension between democracy and science as illustrated by contemporary examples such as climate change denial and vaccine skepticism.

All are welcome to attend!

When:

Friday, December 5, 2025

Where:

Petersen Library, Walker Arts & Humanities Center

RTC Research Forum: “Language and Artificial Understanding: Stress Tests for the Uniqueness of Human Intelligence” Ronald Klingler

What:

The RTC Research Forum, formerly known as the RTC Brown Bag, is a colloquium series sponsored by the Rhetoric, Theory, and Culture graduate program in the Michigan Tech Department of Humanities. Each month, faculty and students in the program present research on a wide range of topics. The forum offers an opportunity for colleagues and peers to discuss current research, prepare for formal conference presentations, and for students to receive feedback on presentation practices.

Abstract:

This essay concerns contributions made by David Braine  in Language and Human Understanding (2014) and their bearing on contemporary discussions of artificial intelligence. The first is his proposal that human linguistic capacity has the shape of sense as understood by James J Gibson, where senses must be understood in their relation to the organism as a whole, and that organism must be understood in relation to its environment. The second is his understanding of Wilhelm von Humboldt’s famous line that “language makes infinite use of finite means,” where he takes the infinity to mean indefinite, contrary to the more common recursive interpretation. These contribute to a third regarding malleability and the brain, where its plasticity reaches such an extent that pragmatics and semantics begin to determine, rather than be determined by, neurological structures. Braine takes this malleability to be distinctively human. From the view of 2014, he argued “it will still never be possible for the statements of linguistic science to enable one to calculate or compute the linguistically public significance or sense of the utterances we make” (149). Here I assume Braine’s three contributions, but put pressure on his proposition of computational-impossibility in light of the advances in artificial intelligence in the years since. From the view of today, Braine’s account of malleability reads as anticipatory of LLMs. I argue that the primary intuition-pump he uses to explain malleability cannot differentiate what’s distinctly human from contemporary machine learning attempts. I question whether it matters whether the significance is computable, or if probabilistic attempts can approximate said significance to an arbitrary degree; I argue Braine’s view can defend against this. I also consider advancements in embodied and multimodal reasoning, and whether they can imitate the environmentally oriented nature of speech in Braine’s proposal; I consider this the strongest possibility for defending the uniqueness of language.

Who:

Presented by RTC PhD student Ronald Klingler.

Ronald Klingler is a PhD student in the Rhetoric, Theory, & Culture program. He considers the positions around the uniqueness of human language use, and evaluates them in light of recent advances in artificial intelligence. 

All are welcome to attend!

When:

Friday, October 24, 2025

Where:

Petersen Library, Walker Arts & Humanities Center

RTC Research Forum: “Vital Necroscenes: Internet Memes as Visual Tools for Environmentalism” Samantha Stein-Brevitz

What:

The RTC Research Forum, formerly known as the RTC Brown Bag, is a colloquium series sponsored by the Rhetoric, Theory, and Culture graduate program in the Michigan Tech Department of Humanities. Each month, faculty and students in the program present research on a wide range of topics. The forum offers an opportunity for colleagues and peers to discuss current research, prepare for formal conference presentations, and for students to receive feedback on presentation practices.

Abstract:

Understanding how we can approach environmentalism from a humanities perspective calls for an interdisciplinary approach that encompasses not only our place in the world but everything’s place in the world—human and non-human. There is no question about the cruciality of a comprehensively ethical and conscious means of interacting with the planet. There have been multiple attempts and approaches to a better method to the human ways of existing on this planet. Recognizing how to course correct is easier said than done, however. This concept is large and, in and of itself, sublime. The visual analysis offered in this work will specifically work to break down and interpret common, widespread Internet meme formats, thus presenting how they can evoke a need for environmentalism in daily life. The pieces guiding my research are the “This is fine” dog as well as a variant of another common Internet meme, Spiderman(s) pointing at himself. Though these works are ambiguous and can be used in multiple contexts, the power of their messages can be used to approach a call for better environmentalism. Additionally, it reiterates the very real threat of contemporary climate disasters which can thus be used to reexamine the power and vitality expressed within these Internet memes. Guiding my definition and understanding of the vital necroscene, I specifically connect Immanuel Kant’s Critique of Judgement with Jane Bennett’s Vibrant Matter as well as Jill H. Casid’s “Necrolandscaping”. Both Kant, Casid, and Bennett emphasize the limitlessness in life and in death. Additionally, Kant writes about the judgment that is assigned to Nature. Nature, he insists, is viewed as this aimless mechanism—though it should not be that way. Taking this notion of purposiveness, I connect it directly to the attempts made by vital materialism and the necroscene to dismantle and trouble the black/white binary of life. The goal of vital materialism is to present the purposiveness within non-human phenomena. Further, these concepts connect to demonstrate that Nature is an assemblage of multiple and boundless human and non-human actants—to borrow from Bruno Latour. The presented research aims to demonstrate ways Internet memes can evoke a vital necroscenic approach, creating more awareness for the call to environmental humanities. In understanding the vitality of Internet memes, we can develop an understanding and potentially even an increased appreciation for the interconnectedness of both human and non-human lives.

Who:

Presented by RTC PhD student Samantha Stein-Brevitz.

Samantha’s research aims to explore the connections between Internet memes and the necrocene that is the death of the planet. Through humor, Internet memes serve as a communication tool to emphasize the vital need to recognize and act on planetary crises and assist in dismantling Nature vs Human. In an effort to evoke change, the images presented show the irony that “this is fine” and life goes on. 

All are welcome to attend!

When:

Friday, September 19, 2025

Where:

Venue changed to Petersen Library, Walker Arts & Humanities Center

Dive Deep at the 41 North Film Festival, November 6-9, 2025

This year’s 41 North Film Festival invites audiences to engage with a slate of over 20 creative and thought-provoking films that explore the complexities of contemporary life—from the depths of the natural world to the heights of human resilience. The festival features a diverse lineup of acclaimed and emerging filmmakers whose work takes up urgent social questions through compassionate, sometimes fierce, and always artful storytelling. Panels and guests will offer context and perspectives on many of the films. The festival will be held November 6-9 in the Rozsa Center for the Performing Arts, with additional films screening in Fisher 135 in partnership with MTU Film Board. All films are free and open to the public. Donations and volunteers are appreciated and welcome.

The festival opens Thursday, 11/6, with Folktales (Ewing/Grady, 2025), which follows teenagers at a Norwegian folk school in the Arctic as they navigate the path to adulthood (with a little help from each other and their sled dogs). Balancing the generational scales is Cat Town, USA (Napolitino, 2025), the story of an elderly couple who run a retirement home for senior cats (Friday, 11/7).

Our featured presentation on Friday evening is Underland (Petit, 2025), loosely based on Robert Macfarlane’s bestseller of the same name. A poetic meditation on what lies beneath the earth, the film weaves together three stories of underground exploration. A discussion with featured social geographer and urban explorer, Dr. Bradley Garrett, will follow.

On Saturday, 11/8, How Deep Is Your Love (Mortimer, 2025) takes us on a voyage with scientists who study and catalog deep-sea species in ocean territories that may soon be mined. In the evening, the festival presents Natchez (Herbert, 2025), which examines questions of historic preservation in a town defined by and dependent on its conflicted antebellum past.

Sunday afternoon, 11/9, the rocky terrain of disability advocacy and accessibility is traversed by two films. Best Day Ever (Knight/Berne, 2025) highlights adaptive mountain biking, and the lessons learned when a Vermont community builds an adaptive mountain biking trail system. Following is Reid Davenport’s new film, Life After, which examines the implications of Medical Aid In Dying (MAID) legislation for disabled people, who may suffer pressure to end their lives rather than receive the necessary support to live them.

The festival’s final two films take us back to the animal kingdom with Flow (Zilbalodis, 2024), the Oscar-winning animated feature. This lyrical and hypnotic film tells a completely wordless story about a cat who must work with other species to survive a great flood. Closing out the festival on Sunday evening is the hilarious and educational documentary, Listers: A Glimpse into Extreme Birdwatching (Reiser, 2025).

Film Board will partner again with the festival and screen two films in Fisher 135: Rian Johnson’s  2006 neo-noir film, Brick, starring Joseph Gordon-Levitt, and OBEX (Birney, 2025), a fantasy film set in pre-Internet 1987, which premiered at the Sundance Film Festival last January.

Sponsored by the department of humanities, the department of visual and performing arts, the Rozsa Center for the Performing Arts, and the College of Sciences and Arts. For more information, check the festival website or contact Erin Smith, ersmith@mtu.edu.

What Are Humans For? Stuart Kendall, Visiting Scholar Oct. 2-3

What Are Humans For? Visiting Scholar Stuart Kendall

The Department of Humanities, together with the College of Sciences and Arts, are pleased to welcome Dr. Stuart Kendall to campus on October 2nd and 3rd for a series of presentations, classroom visits, and scholarly discussions related to interdisciplinary scholarship.

Dr. Kendall’s keynote presentation, titled What Are Humans For? will take place on Friday, October 3rd, at 4:00pm in the U. J. Noblet Forestry Building Atrium. The talk will focus on the present and future of interdisciplinary study, examining the strategies of several exemplary interdisciplinary thinkers. This public talk is free and open to all.

Leading up to this presentation, Dr. Kendall will be joined by Institute of Computing and Cybersystems guest, Dr. Ian Bogost, for a Scholar Lunch discussion on Thursday, October 2nd, at 12:15pm in the Library East Reading Room*. All are welcome.

Next we invite graduate students and faculty of the Colleges of Sciences and Arts and Computing, and across campus, to a presentation by Dr. Kendall titled We Scholars, which aims to center the human within interdisciplinary study and research. This talk will take place on Thursday, October 2nd, at 3:00pm in the U. J. Noblet Forestry Building Atrium.

Abstract for What Are Humans For?

Recent and profound technological and environmental changes have brought about a paradigm-shift in the production, consumption, and legitimation of both knowledge and know-how. These changes have in turn challenged many of our social institutions and traditional disciplines. Rather than reiterating proposals made from the perspective of a specialized discipline, this lecture will examine the strategies of several exemplary interdisciplinary thinkers whose modes of thought sought to embrace exploration and change: Ivan Illich, Vilém Flusser, and Gregory Bateson, among others. One goal will be to relocate questions of art and technics, as well as those of disciplines and institutions, in models of human experience. In response to challenge and change, the lecture pursues an interdisciplinary inquiry into human experience in order to open a methodological toolbox of strategies and tactics for conviviality.

About Stuart Kendall

Stuart Kendall is an historian of thought and media and design theorist. As a writer, editor, and translator, his books include a critical biography of Georges Bataille, The Ends of Art and Design, Gilgamesh, and a number of edited and translated volumes. He has lectured and run workshops at colleges, universities, conferences, and colloquia nationally and internationally. Teaching appointments have included the California College of the Arts, Stanford University, Boston University, and SUNY Stony Brook. As an academic leader, he created new majors, coursework concentrations, and assessment tools in interdisciplinary humanities, environmental and animal studies, and media and design history, theory, and criticism. His core interests include problems in ecological consciousness, embodiment, and communications media.

*if the East Reading room is unavailable due to ongoing classroom renovations, Scholar Lunch will take place in the U. J. Noblet Forestry Building Atrium

Brown Bag Talk: Vamp & Godmother? Contradictions of Theda Bara and Gendered War Work

What:

Abstract:

This talk focuses on the peculiar case of Theda Bara, a Hollywood actress who became famous for her ethnic-Other “vamp” movie character and public persona. In 1918, Bara was appointed “Godmother” to the 158th Infantry Regiment from Arizona. The practice of godmothering had started early in World War I but was prohibited in France and Britain after 1915 due to suspicions of sexual misconduct between women and their “godsons,” as well as fears about its potential for espionage. When the U.S. intervened in 1917, godmothering was discouraged by the Department of War, with exceptions made for female screen idols who offered government officials a useful mechanism by which to help promote troop morale and the will to fight. Bara’s promiscuous, even adulterous persona, however, ostensibly threatened conventional morality among men and women, and the “wholesome” model of “soldier-citizen” the camps aimed to cultivate among the men. Accordingly, her films were banned in the training camps. I explore the logic of Bara as godmother through an analysis of Hollywood’s star system in the 1910s and how its discursive construction of stardom intersects with Foucault’s discussion of discourse and sexuality.  

Who:

Presented by Sue Collins, Associate Professor of Communication, Culture, and Media.

All are welcome to attend!

When:

Friday, April 11 2025

Where:

Petersen Library, Walker Arts & Humanities Center

Brown Bag Talk: “Beauty, Excess, and the Grotesque in the Late-Capitalism Critique of Lauren Greenfield”, Emma Johnson

What:

Abstract:

Embracing slow cinema and focusing on women are both underappreciated approaches to filmmaking when it comes to representing the financial crisis. One filmmaker who explores the financial crisis through these underused techniques is Lauren Greenfield. In this paper, I will explore three of Greenfield’s films through the lens of theorists Jill Godmilow and Nicholas Mirzoeff to show how alternative ways of looking provide a new critique of capitalism. Typically, films on financial crises are fast paced. Juliette Feyel and Clémence Fourton’s 2019 article “Post-2008 Films: The Financial Crisis in Fictions and Documentaries” argues that 2008-crisis films are represented in specific structures and patterns. Clichéd quick cuts show phone calls, graphs, and skyscrapers. These visual depictions are limiting, often excluding how crisis affects daily life and women. An alternative approach is found in the work of Greenfield, including the films The Queen of Versailles (2012), Generation Wealth (2018), and The Kingmaker (2019). I argue that Greenfield uses beauty, excess, and the grotesque to critique late capitalism. Greenfield favors mundane daily life with long shots of mansions with neglected pools, motivational posters in a vacated office, and dog poop left on the carpet after the nannies are laid off. She pays attention to women in a sub-genre where women are largely absent and uses slow-cinema techniques in a sub-genre that mostly embraces fast-paced narratives. Interviewees who would typically be depicted in quick clips are given screen time to humanize themselves. Greenfield juxtaposes excess with relatable reasons for its pursuit, drawing attention away from subjects and toward the system that creates it, coming close to accomplishing what Godmilow terms postreal filmmaking and Mirzoeff Visuality 2. Ultimately, Greenfield invites the audience to sit with her subjects, identify with them, and begin to imagine an alternative world.

Who:

Presented by RTC PhD student Emma Johnson.

All are welcome to attend!

When:

Friday, March 28 2025

Where:

Petersen Library, Walker Arts & Humanities Center

2025 Modern Languages Film Series Announced

Modern Languages at Michigan Tech is proud to present our Spring 2025 Film Series!

The films this year, under the theme “Dystopian Futures” will screen on consecutive Wednesdays at 7pm in Fisher 135, and are free and open to the public.

Still from "We Might As Well Be Dead showing a woman in a security uniform laying on the floor of a cramped apartment. Next to her another woman's head can be seen through the mail slot of a closed door with her hair hanging through.

We Might As Well Be Dead

Screening March 12, 2025

Sinelnikova 2022 | Germany

Security officer Anna lives with her 16-year-old daughter in a remote high-rise on the edge of a forest. The building provides its occupants a safe haven until the caretaker’s dog disappears and irrational fear spreads.

Still from the film showing a gray, dystopian landscape with a small doorway to an elevator shaft in the middle of the frame. A figure in a full-face oxygen mask walks to the left.

Aire: Just Breathe

Screening March 19, 2025

Tonos 2024 | Dominican Republic

In the year 2147, a virus as a result of a Great Chemical War has left all men on the planet sterile, bringing humanity to the brink of extinction. Biologist and scientist Tania tries to inseminate herself to ensure the survival of the human species, assisted by an artificial intelligence system called VIDA. However, everything changes when Azarias appears, a traveler with a dark past and possibly one of the last men on the planet.

An attractive young woman lays in a rectangular black tub filled with black liquid below a large half-circle window with washed-out white light shining through.

The Beast

Screening March 26, 2025

Bonello 2023 | France

In the near future the rise of AI has led to humans being deemed useless because their emotions compromise their decision-making. Gabrielle undergoes a procedure that will purify her and get rid of her emotions, a procedure which involves delving into their past lives.

Please join us for this great lineup of films from around the world!

For more information about Modern Languages minors at Michigan Tech, visit https://www.mtu.edu/humanities/undergraduate/modern-languages/

Brown Bag: Great Lakes Romanticism, Mark Lounibos

What:

Humanities’ Brown Bag talks kick off again on Friday, January 31 at 12pm in the Petersen Library with “Great Lakes Romanticism” a talk by Assistant Teaching Professor of English, Mark Lounibos.

Abstract: This emerging project aims to link the historical and cultural period of British Romanticism (1789-1832) to the Great Lakes region of North America, using digital mapping methods to identify locations, actors and events in the Great Lakes area which have influenced British Romantic culture.  In particular, the project’s goal is to emphasize and perhaps also recover the influence of Indigenous culture and thought on British Romanticism.   Although much work has been done on Transatlantic Romanticism, and some important contributions focus explicitly on indigeneity in this context, few have focused primarily on the Great Lakes region.  This waterway was a critical trade/exploration route, and therefore one of the most significant channels for contact with indigenous tribes in the interior of North America. The long-term goals of this project include the production of a digital resource for both scholars and the public, and the development of a Digital Humanities course.  

Who:

Presented by Mark Lounibos, Assistant Teaching Professor of English

Co-Hosted by the Department of Humanities and the Institute for Policy, Ethics, and Culture

All are welcome to attend!

When:

Friday, Jan. 31, 2025 at 12:00 p.m.

Where:

The Peterson Library, Walker 318

Faculty Research Highlight: The Big Ride Project

Assistant Professor of Communication, Culture, and Media Richard Canevez has big plans for the summer of 2025, when he will take on what he has titled “The Big Ride Project.” Richard has received a seed grant from the university’s Research Excellence Fund, as well as funding from the Institute for Policy, Ethics, and Culture with which he is both funding this project, and hopes to publish a book documenting his experiences.

Assistant Professor Richard Canevez is collaborating with Studio 13 in Houghton to generate media for his upcoming research endeavor- The Big Ride Project.

From Richard:

The rise of American right-wing populism has been enabled in part by the politicization and targeting of institutions construed as left-leaning with harassment, hostile policy efforts, and in some cases outright violence. The range of institutions is broad, ranging from women’s healthcare to diversity-supporting organizations and even federal agencies tasked with environmental stewardship. This targeting has reduced these institutions to political footballs, exploiting an aggrieved and politically divided constituency for political gain.

But who are these institutions in reality? They reflect the people who are “where the rubber meets the road”: the professionals and volunteers. But what are their stories? How do their experiences and values shape these institutions and their mission? And how are they going to navigate the political divide in the upcoming years? And what can other institutions and their people learn from them?

In the summer of 2025, Rich Canevez (Asst. Professor of Communication, Culture, and Media at the Department of Humanities) will ride a bicycle from Houghton, MI to Chicago, IL and back on a route that covers over 900 miles by road, trail, and everything in between. In this time, he will gather the stories of professionals who staff these institutions, including libraries, institutions of DEI (Diversity, Equity, and Inclusion), reproductive rights, transgender affirming care, and environmental stewardship, dotted across one of the most politically divided and diverse sections of America. These stories and accounts will be layered with his own experiences, by covering the distance and connecting stories with notions of spatial divide and connection, as well as his own memories of being a ethnic minority raised in this curious section of America, with a personal relationship with many of the issues these institutions, and its people, face or continue to struggle with to this day.

You can visit the project’s website at thebigrideproject.carrd.co to follow along on his journey!

The Big Ride Project on Facebook | The Big Ride Project on Bluesky