Author: Erin Smith

The 41 North Film Festival celebrates its 10th anniversary, November 7-10, at the Rozsa Center for the Performing Arts. Headlining this year on Saturday, November 9th, is the groundbreaking generative documentary Eno about visionary musician and artist Brian Eno, directed by Gary Hustwit (Helvetica, Rams, Objectified) who will be in attendance at the festival.

A pioneer at the intersection of technology and art and a self-proclaimed “sonic landscaper,” Brian Eno has been an innovative and highly influential figure, shaping the sounds of artists such as David Bowie, U2, Talking Heads, and Coldplay. Drawing inspiration from its subject, the film Eno also blends art and technology through its use of a bespoke generative software developed by Hustwit and creative technologist Brendan Dawes. The software uniquely sequences scenes from Hustwit’s interviews and footage, along with Eno’s own archive of hundreds of hours of never-before-seen footage and unreleased music. No two screenings are alike, each one offering different scenes, order, transitions, and music.

Hustwit has been presenting the film live around the country and the world since its premiere at the 2024 Sundance film festival and will present two unique iterations of the film at 3:30 p.m. and 7:30 p.m. The 3:30 p.m. screening will include a Q&A with Hustwit and Brendan Dawes (via Zoom) following the film. This event is co-sponsored by the College of Computing and the Institute of Computing and Cybersystems. Look for announcements about other featured events and the full festival program in the coming days. 

The 41 North Film Festival is sponsored by the Department of Humanities, the Department of Visual and Performing Arts, and the College of Sciences and Arts.

Presenting another year of cinematic explorations and provocations, the 41 North Film Festival returns November 2-5 to the Rozsa Center for the Performing Arts. With a lineup of over 20 films, the festival includes panels, special guests, music, and more. This four-day event is free and open to the public.

The opening night film, Time Bomb Y2K (Becker/McDonald, 2023), takes a sometimes hilarious look back at a significant moment of global technological anxiety. Assembling archival footage from 1997-2000 as the world prepared to face the “Y2K millenium bug,” the filmmakers offer both a time capsule and an opportunity to reflect on technological dependency and its implications. Continuing the discussion about technology on Sunday with a different set of questions is Another Body (Hamlyn/Compton, 2023), about a college student who takes us on an investigation into deepfake pornography after she finds herself a victim of it. Both films will offer panel discussions following the films. 

On Friday night, the spotlight turns to the Elephant 6 Recording Company (Stockfleth, 2022), an inspiring story about the music collective that gave rise to such bands as Neutral Milk Hotel and the Apples in Stereo, among many others. Core member of the collective, Robert Schneider, who is now part of the Michigan Tech faculty in mathematics, will be joined by Schneider and producer Daniel Efram for a Q&A. A reception will follow this film in the Rozsa Lobby with music by Liquid Mike, helmed by alum Mike Maple (CCM ’19).

Saturday afternoon offers films that expand our field of view on history, culture, and current events. In King Coal (Sheldon, 2023), Elaine McMillion Sheldon takes a poetic look at the people and places of central Appalachia where she grew up; Black Barbie: A Documentary (Davis, 2023) examines Black female representation through the history of Black dolls; and The Mission (McBaine/Moss, 2023), investigates the legacy of colonialism and the death of John Chau, whose missionary zeal led to a fatal encounter in 2018.

Saturday evening, the festival presents The Erie Situation (Ruck, 2022), which takes a hard look at the confluence of science and politics around a great lake’s toxic algae problem. Co-sponsored by the Great Lakes Research Center, the film will be followed by a panel discussion and Q&A with filmmaker David Ruck.

More lyrical and contemplative offerings this year include the charming Hummingbirds (Castaños/Contreras, 2023), which follows two friends (one documented, the other not) on their adventures in Laredo, Texas, and the festival’s closing night film, 32 Sounds (Green, 2022), a meditation on the power of sound.

In partnership with the festival, MTU Film Board will be offering Wes Anderson’s Asteroid City in Fisher 135 over the course of the weekend.

Major sponsors of the festival include the department of humanities, the department of visual and performing arts, and the college of sciences and arts. For more information, contact Erin Smith, ersmith@mtu.edu.

The annual 41 North Film Festival will be held Thursday, 11/3, through Sunday, 11/6, at the Rozsa Center for the Performing Arts. The festival once again offers an exceptional opportunity for people to gather together and watch thought-provoking, entertaining, and award-winning films from around the world that explore a range of issues, ideas, and personalities. Along with over 20 films (both features and shorts), there will be special guests, educational panels, and other attractions.

The festival has something for everyone, with films that examine the progress and perils of scientific research, as well as those that shed a light on the achievements and challenges of small communities much like our own. This year’s cast of characters includes artists and art thieves, hockey players and range riders, big wave surfers and social justice warriors, as well as a beleaguered laundromat owner who finds herself plunged into the metaverse.

High school students are the focus of two films in the program: Hockeyland (Haines, 2021), which follows high school players on the Iron Range in Minnesota, and Boys State (Moss/McBaine, 2020), a timely and rollicking tale about the lessons of civic engagement at the American Legion’s annual Boys State competition in Texas.

Highlights from this year’s program include 2022 Sundance award winners All That Breathes (Sen, 2022), The Territory (Pritz, 2022), Fire of Love (Dosa, 2022), and I Didn’t See You There (Davenport, 2022). Reid Davenport, who won Sundance’s U.S. Documentary Directing Award and has cerebral palsy, provides us with a literal point of view focused on his daily encounters with ableism, along with his meditation on the legacy of the circus freak show. A panel discussion will follow on disability and being looked at without being seen.

The festival will also present several films that focus on scientific research including The Human Trial (Hepner/Mossman 2022). Lisa Hepner and Guy Mossman tell a very personal story about the patients and scientists seeking a cure for diabetes with an up-close look at research development. Fire of Love profiles French volcanologists Katia and Maurice Krafft and their life-long love affair with volcanoes, while All That Breathes takes us to New Delhi where two brothers attempt to save the black kite population being devastated by the city’s collapsing ecology. Michigan Tech researchers and community members will participate in Q&A sessions following these films.

Indigenous land rights and culture are taken up in several films this year, including The Territory, which provides an on-the-ground look at Uru-eu-wau-wau people’s fight against the encroaching deforestation in the Brazilian Amazon. Two Michigan stories, Bad Axe (Siev, 2022), and The Sentence of Michael Thompson (Anderson/Thrash, 2022), examine social justice issues closer to home.

See the full line-up of films and events at: 41northfilmfest.org. The festival is free and open to the public. Students will need to bring their HuskyCard. No ticket is necessary for others attending the festival this year. For more information, email festival director, Erin Smith, at ersmith@mtu.edu. Major sponsorship for the festival is provided by the Department of Humanities, the Department of Visual and Performing Arts, the College of Sciences and Arts, and the Rozsa Center for the Performing Arts.

Dr. Gabriel Edzordzi Agbozo (RTC ’21) has received the 2022 CCCC Outstanding Dissertation Award in Technical Communication for “Spatial Technologies, (Geo)Epistemology, & the Global South: Addressing the Discursive Materiality of GhanaPostGPS through Technical Communication.” The Conference on College Composition and Communication (CCCC) is a constituent organization within the National Council of Teachers of English (NCTE).

Dissertations for this award are evaluated according to five criteria: originality of research, contribution the research makes to the field, methodological soundness of the approach used, awareness of the existing research in the area studied, and overall quality of the writing.

The selection committee noted: Dr. Agbozo’s dissertation is a rich study of the GhanaPost Global Position System. Agbozo makes a compelling case for how the field thus far has had a limited perspective on “technology take-up within a globalizing context,” and how, historically, researchers have engaged with global spaces in problematic ways. The committee was especially impressed with the originality of Agbozo’s research and its contributions to broadening the field’s borders and working towards developing, as Agbozo argues, a “global perspective.” Drawing from a mix of surveys, interviews, and observations, and employing decolonial and multimodal lenses of critique, Agbozo’s dissertation is methodologically rigorous, with a robust analysis that works to build new theory and innovative pedagogical practice in technical communication. The committee also appreciated the ways Agbozo’s research amplifies marginalized voices, communities, and scholarship.

Agbozo will be announced as the recipient of the CCCC Outstanding Dissertation Award in Technical Communication during the CCCC Awards Presentation on Friday, March 11, during the 2022 CCCC Annual Convention.

Dr. Agzobo is currently an Assistant Professor in the Department of English at UNC–Wilmington.