Scott Marratto (HU) was an invited keynote speaker at an international philosophy conference, “Phenomenology and Personal Identity,” at Charles University in Prague on Nov. 29. He was joined by three other keynote speakers: David Carr (New School for Social Research, New York), John J. Drummond (Fordham University, New York) and Claude Romano (University of Paris-Sorbonne, Paris IV).
The first RTC Colloquium for the spring semester has been rescheduled for Wednesday, 2/6, from 12-1pm in Walker 109 with talks by Nancy Achiaa Frimpong (“Skin Colour on Sale: Advertising and Postfeminism”) and Lyz Renshaw (“League of Legislation: Esports and Global Politics”).
Read the abstracts (PDF).
RTC PhD candidate Shelly Galliah has published an article in The Activist History Review in which she shares her experience teaching science fiction at Michigan Tech: “Science fiction, especially on a campus so dedicated to STEM and to research, is one of the few places [art and science] may and should meet.”
In September 2018, Galliah published a review of John H. Evans’ book Recasting the Contemporary U.S. Conflict between Religion and Science (University of California Press, 2018). The review was published by Metapsychology Online Reviews.
Galliah also published in the proceedings of the 6th Iowa State Summer Symposium on Science Communication, 2018. The theme of the symposium was “Understanding the Role of Trust and Credibility in Science Communication”. Galliah’s paper, “Perceptions of Problematic Credibility in John Oliver’s “Statistically Representative Climate Change Debate”” concludes that “by taking the time to ‘read the comments,’ researchers might be able to understand how not only comedians but also other climate change communicators might strengthen the appearance of their credibility and build successful strategies to persuade oppositional audiences.”
The RTC program is excited to launch the Graduate Student Best Conference Paper Award. This award seeks to recognize and promote excellence in RTC graduate students’ research and scholarship and is made possible thanks to support from the Humanities department. All current students are eligible for the award, which comes with a $500 fund. The RTC encourages students to submit their recent papers for consideration. A student may submit only one paper per year. To apply, please follow these submission guidelines (PDF).
The RTC Committee will present the last of the Fall Colloquium Series this Wednesday, 12/05 at 1
:00 pm in Walker 109. Dr Ramon Fonkoué will present a paper entitled “The Injunction to Forget: State Engineering of Collective Memory in Postcolonial Cameroon,” adapted from a chapter in his forthcoming book on nation building in Cameroon.
This paper will address the post-colonial state’s attempts to impose a sanitized version of the history of the country’s anti-colonial struggle, the resulting lack of potent symbols for the nascent nation, and the manifestations of the people’s “dissident knowledge.”
Abstract: Upon gaining independence, the leaders of Cameroon denied the status of martyrs to the nationalists who had paid the ultimate price for their opposition to the colonizer. Deprived of this symbolic capital, the state was condemned to an improbable quest for beacons of the nascent nation. Using Michel Foucault’s concept of “discursive formation,” this presentation investigates the state’s attempts to monopolize historiography in the aftermath of Cameroon’s war of independence. In independent Cameroon, the leaders’ claim to legitimacy was undercut by the people’s “dissident knowledge” about the nation’s “silent” heroes. As a result, political discourse, which is divorced from popular memory about the past, sees its performative power undermined by the impossibility to mourn the nation’s deaths. This paper concludes on artistic expressions of defiance to sanctioned discourse on history.
Stephanie Carpenter has published an omnibus book review in the Fall 2018 issue of The Missouri Review. Her piece, “The End of the World as We Know It: Four Novels of Climate Change,” considers new novels by Louise Erdrich, Jenni Fagan, Paul Kingsnorth and James Bradley. Carpenter will again teach Literature and the Environment (HU 3508) in Fall 2020.
Please join the Department of Humanities for a Rhetoric, Theory and Culture Colloquium on Wednesday, November 14 titled “Islands of Resistance.” Dana Van Kooy, associate professor of english in transnational literature and literacy theory and culture, will present “Islands of Resistance: Geography as a Configuration of Political Resistance and Atlantic History” (see abstract below). This essay draws attention to Haiti, the Caribbean, and the Atlantic as differently scaled geopolitical literary spaces that represent multiple cultures and histories of resistance.
Please join us 12 p.m. (noon) Wednesday, November 14 in Rozsa Center room 120 (choral room).
Abstract:
Islands of resistance. The phrase commonly refers to isolated pockets of organized and oppositional force. Significantly, when interpreting the phrase, the emphasis falls more on the geographical features of an island than on the refusal to comply. The geographical imagery encircles and confines resistance: limiting its effectiveness to a series of singular actions or to a small, containable collective movement. In the cultural imaginary, the island represents a point of stasis in the midst of an immensely larger—very fluid and indomitable—natural force. However, the island’s characteristics—its isolation, its remoteness from everywhere else, and its unique ecology—also produce a synecdoche: the world is an island. What I find relevant here is how geographical markers reconfigure the politics of the phrase, both positively and negatively.
Students from Stefka Hristova‘s Fundamentals of Digital Imaging course will be exhibiting their work at the Copper Country Community Arts Center’s “Shaft” exibit beginning Friday. The exhibit, held in the Kerredge Gallery, is a non-juried community exhibition inspired by mining in the Copper Country; the physical signs of its presence or the effect it has had on the area and its people.
The opening reception will be held on Friday, November 9 at 6 p.m. at the Arts Center. The public is invited to attend and vote on their favorite pieces. The exhibit will continue through November 30.
World War I & the Copper Country (WW1CC) will commemorate the Armistice of Nov. 11, 1918. The public will be welcomed with a bagpipe performance of “The Flowers of the Forest” and the distribution of paper poppies starting at 10:50 a.m. Sunday (Nov. 11) at the World War I Firing Trench (US-41 and MacInnes Drive).
The commemoration will begin promptly at 11 a.m. when bells will be synchronized to ring for 30 seconds. The Michigan Tech Joint Color Guard, consisting of Air Force and Army ROTC cadets, will present the colors. The program will include singing the National Anthem, a poem recitation, a prayer offering and a firing party (21-gun salute) by the Veterans of Foreign Wars, Hubbell post.
Taps will be played by a formation of local student buglers, followed by the retirement of the colors. The commemoration will conclude by inviting guests to drop their poppies into the trench as they disperse.
Refreshments will be offered in the Wads Annex preceding and following the commemoration. In the event of inclement weather, the commemoration will move into the Wads Annex. Free parking will be available in any of the Michigan Tech lots directly opposite the trench on US-41.
Andrew Fiss has published a research article titled “Structures of Antifeminism: Drugs and Women’s Education in the Texts of Dr. Clarke” in the rhetoric journal Peitho. The article used rare books from the Countway Library of Medicine at Harvard to track the historical roots of a pervasive antifeminist argument that has kept women from higher education since the Civil War Era. The article indicates how the structure of this argument came from early classes in pharmacy delivered by Boston doctor Edward H. Clarke in the 1850s-60s, popularizing discrimination through (implicitly, structurally) presenting women’s education as a dangerous drug that could be overused/abused.