Category: CCM – News

Two Exhibits Open Concurrently at the Rozsa Center Gallery Friday

World War One in the Copper Country logo

American and French Propaganda Posters” and “Shell-Shocked: Footage & Sounds of the Front,” are two separate exhibits that are meant to be seen together.

Both are part of the community-wide centennial commemoration of the “Great War, World War I & the Copper Country,” running through Nov. 11.

During the gallery opening reception, Stefka Hristova (HU) will give a talk entitled, “Iconography & War.” World War I called for broad public participation through multiple avenues: joining the military, buying liberty bonds or saving stamps, conserving food, taking up a public job. Everyone was expected to do their part, and new modes of propaganda were key to ensuring society’s “total mobilization.”

“American and French Propaganda Posters,” reflects numerous appeals to mass mobilization, resulting in some iconic images from the American campaign, for example, James Montgomery Flagg’s “Uncle Sam” and A.E. Foringer’s “Greatest Mother in the World” for the American Red Cross.

Hristova’s talk will take a closer look at the posters to reveal patterns of representations of men, women and children that tie into changing norms of social propriety.

In contrast to the patriotic rhetoric of propaganda posters, the immersive multimedia display of “Shell-Shocked” brings to life the reality of soldiers who fought the war, inviting visitors to experience soldiers’ journey from training to combat, from life at the front to demobilization and return home, if they survived the war’s abuses.

An installation space featuring a custom circular steel truss equipped with six 40” screens, twelve loudspeakers and 6,000 watts of available amplified power, “Shell-Shocked” recreates the sounds to accompany historic silent film footage of the war.

The installation was crafted by Kent Cyr (VPA) and Christopher Plummer (VPA) with sound-design assistance from students Luke Johnson, Brendan Espinosa and Noah Budd from the Visual and Performing Arts Department, Sound Design-BA program.

“American and French Propaganda Posters” are on loan from the permanent collection of the Marquette Regional History Center. The exhibits are made possible in part by a grant from the Michigan Humanities Council (MHC), an affiliate of the National Endowment for the Humanities (NEH).

Any views, findings, conclusions or recommendations expressed in the WW1CC program do not necessarily reflect those of the NEH or MHC.

Light refreshments will be served at the opening reception, 5-7 p.m. Friday (Sept. 7). The exhibits will run until Oct. 2, during gallery hours: 8 a.m. to 8 p.m. Monday – Friday and 1 to 8 p.m. Saturday.

The CinOptic Enterprise Team Wins First Place!

CinOptic team photoThe Humanities Department’s CinOptic Enterprise Team won first place in the Enterprise Team competition at the 2018 Design Expo for their poster and presentation. Pictured, from left to right are:
Back: Zach Martens (STC), Sarah Lindbeck (STC), Noah Kozminski (STC), Shaun Burriss (Math Ed), McKenzy Rehfus (CCM)
Front: Eric Smith (VPA), Abigail Kuehne (CCM)
Photo by: Nathan Shaiyen, CCM and CinOptic member.

Joel Beatty and Stefka Hristova Co-author Book Chapter

Joel Beatty and Stefka Hristova wearing graduation robesRTC graduate, Joel Beatty, and professor Stefka Hristova have co-authored a chapter in the book, Surveillance, Race, Culture, published by Palgrave Macmillan, 2018. Their chapter is titled “Articulating Race: Reading Skin Color as Taxonomy and as Numerical Data”. According to Dr. Hristova, the chapter “explores the transformation of race into biodata at the turn of the 20th century”. The book is edited by Susan Flynn, University of the Arts, London; and Antonia Mackay, Oxford Brookes University. 

World War I and the Copper Country

collins-sue-personnelThe World War I & the Copper Country collective, led by Sue Collins (HU) in collaboration with Patty Sotirin (HU), Stefka Hristova (HU), Steve Walton (SS), Elise Nelson (Carnegie Museum), and Hilary Virtanen (Finlandia), has been awarded a Michigan Humanities Council grant.

Conceived as a joint project between Michigan Technological University, the Carnegie Museum of the Keweenaw, and Finlandia University, the grant will support a series of events commemorating World War I to run in the fall of 2018 including historical exhibits, a symposium, a relief bazaar, and an immersive life-size trench installation with a Visual and Performing Arts (VPA) produced soundscape.

The project has received a $15,000 public service grant from the Michigan Humanities Council.

Author Talk with CCM student Cyndi Perkins

Ever wondCyndi Perkinsered what it’s like to live and travel on your boat for four years? Or how to write a book and find a publisher? Cyndi Perkins has done both. The award-winning journalist, a former Daily Mining Gazette managing editor, talks about her novel inspiration (and yours) at a chat and book-signing for More Than You Think Yoo Know (Beating Windward Press). Refreshments served.

Thursday, October 19 at 4:00 pm to 6:00 pm;

Van Pelt and Opie Library, East Reading Room

You can find Cyndi’s book on Amazon, and more about her adventures and work on her website.

“Daughter of the Lake” Documentary 9/20

“Daughter of the Lake,” a documentary film about the human and environmental costs of gold mining and indigenous resistance in the Peruvian Andes, will be screened at 7 p.m. tonight (Sept. 20) in Fisher 135.

The director of this documentary, Ernesto Cabellos, will join for a Skype discussion from Lima, Peru, after the screening. A representative from the Menominee tribe in Michigan will also join in the panel discussion. Read the full Tech Today story.

Congratulations Cyndi!

CCM major Cyndi Perkins has published her novel, More Than You Think You Know (Beating Windward Press). More Than You Think You Know is a women’s road (river) trip novel about ships and friendships, crashes and hot flashes. Released in July 2017, the story follows Hailey, Robin and Trish, three women piloting the 44-foot luxury trawler Blackout through the Heartland Rivers from Chicago to the Gulf of Mexico. Stayed tuned for Cyndi’s reading in Van Pelt on Oct. 19.

MTYTYK-COVER (1)Cyndi has sailed Lake Superior, the Heartland Rivers, and the Eastern Seaboard since 1995. She and her husband survived two 6,000-mile circumnavigations of America’s Great Loop aboard their 32-foot DownEast sailing vessel Chip Ahoy. Cyndi writes and edits for Michigan Technological University digital and print publications. But did you know that she is also an award-winning journalist who worked for 10 years at the Daily Mining Gazette and who wrote the popular “Line of Sight” column? Her nautical writing credits include Cruising World, Latitudes & Attitudes, Good Old Boat, PassageMaker, Southwinds, and Northern Breezes magazines.

You can find Cyndi’s book on Amazon, and more about her adventures and work on her website.

 

 

Calling all communicators: Plain Language workshop

Speaking Your User’s Language, an interactive workshop focusing on the benefits and challenges of communicating directly and authentically with your audience, will be presented by Nick Rosencrans, User Experience Analyst at the University of Minnesota, and self-described champion for the end user.

The workshop is on Tuesday, September 19, 9:30-11 in Walker 120A.

Participants will identify issues of voice and tone in their communications, consider the consequences of prioritizing specific users or audiences over others, and share their experiences with other participants.

Sponsored by the Department of Humanities

 

James Livingston and “No More Work: Why Full Employment is a Bad Idea”

Finlandia University Campus Read 2017 Presents James Livingston and “No More Work: Why Full Employment is a Bad Idea”  7PM Wed Sept 20 Finnish American Heritage Centerno more work

Dr. Livingston’s most recent book, No More Work: Why Full Employment is a Bad Idea, challenges the long held imperative for reaching full employment levels. Amazon.com summarizes the book’s theme as such:

For centuries we’ve believed that work was where you learned discipline, initiative, honesty, self-reliance–in a word, character. A job was also, and not incidentally, the source of your income: if you didn’t work, you didn’t eat, or else you were stealing from someone. If only you worked hard, you could earn your way and maybe even make something of yourself.

In recent decades, through everyday experience, these beliefs have proven spectacularly false. In this book, James Livingston explains how and why Americans still cling to work as a solution rather than a problem–why it is that both liberals and conservatives announce that “full employment” is their goal when job creation is no longer a feasible solution for any problem, moral or economic. The result is a witty, stirring denunciation of the ways we think about why we labor, exhorting us to imagine a new way of finding meaning, character, and sustenance beyond our workaday world–and showing us that we can afford to leave that world behind.